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Table of Contents

  1. Moy Sand and Gravel
  2. Paul Muldoon
  3. p. 3
  4. DOI: https://doi.org/10.1353/yale.2002.0010
  5. restricted access
  1. In Conversation with Stephen Rea
  2. Stephen Rea, Luke Gibbons, Kevin Whelan
  3. pp. 5-19
  4. DOI: https://doi.org/10.1353/yale.2002.0006
  5. restricted access
  1. Stephen Rea: Select Film and Stage Credits
  2. Stephen Rea
  3. p. 21
  4. DOI: https://doi.org/10.1353/yale.2002.0011
  5. restricted access
  1. The Theater of Irish Cinema
  2. James Dudley Andrew
  3. pp. 23-58
  4. DOI: https://doi.org/10.1353/yale.2002.0002
  5. restricted access
  1. The Memories of "The Dead"
  2. Kevin Whelan
  3. pp. 59-97
  4. DOI: https://doi.org/10.1353/yale.2002.0014
  5. restricted access
  1. James Joyce's "The Dead" and Bret Harte's Gabriel Conroy: The Nature of the Feast
  2. Bonnie Roos
  3. pp. 99-126
  4. DOI: https://doi.org/10.1353/yale.2002.0013
  5. restricted access
  1. "The Cracked Looking Glass" Of Cinema: James Joyce, John Huston, and the Memory of "The Dead"
  2. Luke Gibbons
  3. pp. 127-148
  4. DOI: https://doi.org/10.1353/yale.2002.0007
  5. restricted access
  1. Tradition, Gender, and Migration in "The Dead," or: How Many People Has Gretta Conroy Killed?
  2. Marjorie Elizabeth Howes
  3. pp. 149-171
  4. DOI: https://doi.org/10.1353/yale.2002.0008
  5. restricted access
  1. Irish Choreo-Cinema: Dancing at the Crossroads of Language and Performance
  2. J'aime Morrison
  3. pp. 173-184
  4. DOI: https://doi.org/10.1353/yale.2002.0009
  5. restricted access
  1. Virgins and Mothers: Sinead O'Connor, Neil Jordan, and The Butcher Boy
  2. Elizabeth Cullingford
  3. pp. 185-210
  4. DOI: https://doi.org/10.1353/yale.2002.0005
  5. restricted access
  1. Comment: On Art and Nationalism
  2. David Bromwich
  3. pp. 211-216
  4. DOI: https://doi.org/10.1353/yale.2002.0003
  5. restricted access
  1. Flickless in Dublin
  2. Joseph R. Roach
  3. pp. 217-219
  4. DOI: https://doi.org/10.1353/yale.2002.0012
  5. restricted access
  1. Preface
  2. James Dudley Andrew, Luke Gibbons
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/yale.2002.0001
  5. restricted access
  1. Contributors
  3. pp. 221-222
  4. DOI: https://doi.org/10.1353/yale.2002.0004
  5. restricted access