1. Editor’s Introduction
  2. Jean-Michel Rabaté
  3. pp. v-vi
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  1. A Narrative Game of Cat and Mouse: Parody, Deception, and Fictional Whodunit in Natsume Sōseki’s Wagahai wa neko dearu
  2. Sari Kawana
  3. pp. 1-20
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  1. Identity-Shopping and Postwar Self-Improvement in Patricia Highsmith’s Strangers on a Train
  2. Josh Lukin
  3. pp. 21-40
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  1. “And yet some free time remains. . . .”: Post-Fordism and Writing in Michel Houellebecq’s Whatever
  2. Carole Sweeney
  3. pp. 41-56
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  1. Anarchist Transformations of English Surrealism: The Villa Seurat Network
  2. James Gifford
  3. pp. 57-71
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  1. Religion and Puritan Typology in E.M. Forster’s A Room with a View
  2. Lynne Walhout Hinojosa
  3. pp. 72-94
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  1. Raveling Out Like a Looping String: As I Lay Dying and Regenerative Language
  2. Kathryn Olsen
  3. pp. 95-111
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  1. Phenomenology “less the rosy hue”: Beckett and the Philosophy of Place
  2. David Addyman
  3. pp. 112-128
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  1. Beckett’s Ignorance: Miracles/Memory, Pascal/Proust
  2. Anthony Cordingley
  3. pp. 129-152
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  1. American Encounters in Dubliners and Ulysses
  2. Genevieve Abravanel
  3. pp. 153-166
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  1. From Lucretian Atomic Theory to Joycean Etymic Theory
  2. Sean Braune
  3. pp. 167-181
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  1. Lots of Fun at Finn Fordham’s Wake
  2. Roy Benjamin
  3. pp. 182-186
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  1. Joyce’s Oceanic Masterpiece: A Review of E.L. Epstein’s A Guide through Finnegans Wake
  2. Cliff Mak
  3. pp. 187-189
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  1. On Surrealism and the Art of Crime: Considered as One of the Fine Starts
  2. Václav Paris
  3. pp. 190-197
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  1. Notes on Contributors
  2. pp. 198-200
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