1. Surviving Images: Holocaust Photographs and the Work of Postmemory
  2. Marianne Hirsch
  3. pp. 5-37
  4. DOI: 10.1353/yale.2001.0008
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  1. Unspeakable
  2. Thomas Trezise
  3. pp. 39-66
  4. DOI: 10.1353/yale.2001.0016
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  1. Memorizing Memory
  2. Amy Hungerford
  3. pp. 67-92
  4. DOI: 10.1353/yale.2001.0009
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  1. Suicide After Auschwitz
  2. Jared Stark
  3. pp. 93-114
  4. DOI: 10.1353/yale.2001.0014
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  1. The Testimony of Fantasy in Georges Perec's W ou le souvenir d'enfance
  2. Joanna Spiro
  3. pp. 115-154
  4. DOI: 10.1353/yale.2001.0013
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  1. Trauma Inherited, Trauma Reclaimed: Chamberet: Recollections from an Ordinary Childhood
  2. Bella Brodzki
  3. pp. 155-167
  4. DOI: 10.1353/yale.2001.0003
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  1. W.E.B. DuBois in Warsaw: Holocaust Memory and the Color Line, 1949-1952
  2. Michael Rothberg
  3. pp. 169-189
  4. DOI: 10.1353/yale.2001.0012
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  1. Prosopopoeia and Holocaust Poetry in English: Sylvia Plath and Her Contemporaries
  2. Susan Gubar
  3. pp. 191-215
  4. DOI: 10.1353/yale.2001.0007
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  1. Witnessing Video Testimony: An Interview with Geoffrey Hartman
  2. Geoffrey H. Hartman, Jennifer Ballengee
  3. pp. 217-232
  4. DOI: 10.1353/yale.2001.0001
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  1. Jewish Assimilation in Hungary, the Holocaust, and Epic Film: Reflections on Istvan Szabo's Sunshine
  2. Susan Rubin Suleiman
  3. pp. 233-252
  4. DOI: 10.1353/yale.2001.0015
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  1. The Secret Histories of Roberto Benigni's Life is Beautiful
  2. Ruth Ben-Ghiat
  3. pp. 253-266
  4. DOI: 10.1353/yale.2001.0002
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  1. Who Owns Auschwitz?
  2. Imre Kertész, John MacKay
  3. pp. 267-272
  4. DOI: 10.1353/yale.2001.0010
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  1. "But Wasn't it Terrific?": A Defense of Liking Life is Beautiful
  2. Hilene Flanzbaum
  3. pp. 273-286
  4. DOI: 10.1353/yale.2001.0006
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  1. After Such Knowledge, What Laughter?
  2. Sidra DeKoven Ezrahi
  3. pp. 287-313
  4. DOI: 10.1353/yale.2001.0005
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  1. Introduction
  2. John MacKay, Laura Wexler
  3. pp. 1-3
  4. DOI: 10.1353/yale.2001.0011
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  1. Contributors
  2. pp. 315-317
  3. DOI: 10.1353/yale.2001.0004
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