1. Jargon
  2. Jonathan V. Crewe
  3. pp. 1-6
  4. DOI: 10.1353/yale.1999.0004
  5. free access
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  1. "Anywhere's Nowhere": Bleak House as Autoethnography
  2. James Buzard
  3. pp. 7-39
  4. DOI: 10.1353/yale.1999.0002
  5. free access
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  1. Magawisca's Body of Knowledge: Nation-Building in Hope Leslie
  2. Gustavus Stadler
  3. pp. 41-56
  4. DOI: 10.1353/yale.1999.0012
  5. free access
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  1. From the Physiognotrace to the Kinematoscope: Visual Technology and the Preservation of the Peale Family
  2. Edward Schwarzschild
  3. pp. 57-71
  4. DOI: 10.1353/yale.1999.0011
  5. free access
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  1. Connecting Links: The Anti-Progressivism of Sui Sin Far
  2. Sean McCann
  3. pp. 73-88
  4. DOI: 10.1353/yale.1999.0009
  5. free access
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  1. The Face of America: Performing Race and Nation in Jessie Fauset's There is Confusion
  2. Jane Kuenz
  3. pp. 89-111
  4. DOI: 10.1353/yale.1999.0007
  5. free access
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  1. "Speculating Carnally" or, Some Reflections on the Modernist Body
  2. Evelyne Ender
  3. pp. 113-130
  4. DOI: 10.1353/yale.1999.0005
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  1. On Posterity
  2. Andrew Bennett
  3. pp. 131-144
  4. DOI: 10.1353/yale.1999.0001
  5. free access
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  1. Positions: Further Responses to Marianne Noble on Stowe, Sentiment, and Masochism
  2. p. 145
  3. DOI: 10.1353/yale.1999.0013
  4. free access
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  1. The Structure of Sentimental Experience
  2. Glenn Hendler
  3. pp. 145-153
  4. DOI: 10.1353/yale.1999.0006
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  1. When the Personal Doesn't Become the Political
  2. Michelle A. Masse
  3. pp. 154-161
  4. DOI: 10.1353/yale.1999.0008
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  1. Response to the Responses
  2. Marianne Noble
  3. pp. 161-167
  4. DOI: 10.1353/yale.1999.0010
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  1. Notes on Contributors
  2. pp. 169-170
  3. DOI: 10.1353/yale.1999.0003
  4. free access
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