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Table of Contents

  1. The Invisible Woman and Her Secrets Unveiled
  2. Jann Matlock
  3. pp. 175-221
  4. DOI: https://doi.org/10.1353/yale.1996.0012
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  1. "The Color of My Skin, the Shape of My Eyes": Photographs of the Japanese-American Internment by Dorothea Lange, Ansel Adams, and Toyo Miyatake
  2. Judith Fryer Davidov
  3. pp. 223-244
  4. DOI: https://doi.org/10.1353/yale.1996.0013
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  1. The High and Low Tech of It: The Meaning of Lynching and the Death of Emmett Till
  2. Jacqueline Goldsby
  3. pp. 245-282
  4. DOI: https://doi.org/10.1353/yale.1996.0016
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  1. "Simply Pictures of Peasants": Artistry, Authorship, and Ideology in Julia Margaret Cameron's Photography in Sri Lanka, 1875-1879
  2. Joanne Lukitsh
  3. pp. 283-308
  4. DOI: https://doi.org/10.1353/yale.1996.0018
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  1. Walter Benjamin and Rudolph Arnheim on Charlie Chaplin
  2. Rudolph Arnheim, John MacKay, Walter Benjamin
  3. pp. 309-314
  4. DOI: https://doi.org/10.1353/yale.1996.0014
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  1. The Fiction of Asian American Literature
  2. Susan Koshy
  3. pp. 315-346
  4. DOI: https://doi.org/10.1353/yale.1996.0017
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  1. Reading Capital with Little Nell
  2. Matthew Charles Rowlinson
  3. pp. 347-380
  4. DOI: https://doi.org/10.1353/yale.1996.0019
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  1. The Poverty of Conversation
  2. Jeffrey Wallen
  3. pp. 405-419
  4. DOI: https://doi.org/10.1353/yale.1996.0020
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  1. The Pathos of Example: Professionalism and Colonialization in Johnson's "Preface" to the Dictionary
  2. Martin Wechselblatt
  3. pp. 381-403
  4. DOI: https://doi.org/10.1353/yale.1996.0021
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  1. Notes on Contributors
  3. pp. 421-422
  4. DOI: https://doi.org/10.1353/yale.1996.0015
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