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In this Issue

Table of Contents

Provocation

  1. G®FRP: The GloFish® Freedom and Reconciliation Project: GMO, Let 'em go
  2. Adam Zaretsky
  3. pp. 2-3
  4. restricted access

Caught Off-Garde: New Theatre Ensembles From NYC (Mostly)

  1. To Avant or Not to Avant: Questioning the Experimental, the New, and the Potential to Shock in the New Garde
  2. T. Nikki Cesare, Mariellen R. Sandford
  3. pp. 7-10
  4. restricted access
  1. Next Up Downtown: A New Generation of Ensemble Performance
  2. Paige McGinley
  3. pp. 11-38
  4. restricted access
  1. Liberté, Fraternité, Corbusier!: An Interview with Alex Timbers
  2. David Savran
  3. pp. 39-53
  4. restricted access
  1. Image Eaters: Big Art Group Brings the Noise
  2. Jacob Gallagher-Ross
  3. pp. 54-80
  4. restricted access
  1. The Nature Theater of Oklahoma's Aesthetics of Fun
  2. Rachel Anderson-Rabern
  3. pp. 81-98
  4. restricted access
  1. What Did They Do to My Country! An Interview with Rachel Chavkin
  2. Carol Martin
  3. pp. 99-117
  4. restricted access
  1. Five Years and Change with the TEAM: Moving Fast Past the Apocalypse
  2. Rachel Chavkin
  3. pp. 108-109
  4. restricted access
  1. The Labor of Architecting
  2. Maurya Wickstrom
  3. pp. 118-135
  4. restricted access
  1. Art in the Age of Political Correctness: Race in the TEAM's Architecting
  2. Rachel Jessica Daniel
  3. pp. 137-154
  4. restricted access
  1. The Most American Thing in New York City: The Historiography of the National Theater of the United States of America
  2. Jessica Del Vecchio
  3. pp. 155-174
  4. restricted access
  1. "Comedy, Truth, and, like, Real Shit": Derek Ahonen, the Amoralists, and the Well-Made Play
  2. T. Nikki Cesare
  3. pp. 175-187
  4. restricted access
  1. Discovering What We Don't Know: An Interview with Steve Cosson of the Civilians
  2. Sarah Kozinn
  3. pp. 188-205
  4. restricted access
  1. "Ta daaaa": Presenting Pig Iron Theatre Company
  2. Nick Salvato
  3. pp. 206-223
  4. restricted access

Books

  1. A Politics of the Scene, and: The Necessity of Theater: The Art of Watching and Being Watched (review)
  2. Freddie Rokem
  3. pp. 224-227
  4. restricted access
  1. Being Watched: Yvonne Rainer and the 1960s (review)
  2. MJ Thompson
  3. pp. 227-229
  4. restricted access
  1. Magic Flutes & Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theater (review)
  2. Pannill Camp
  3. pp. 229-231
  4. restricted access
  1. Voices Carry: Behind Bars and Backstage During China's Revolution and Reform (review)
  2. John B. Weinstein
  3. pp. 231-232
  4. restricted access
  1. Feminist Theatrical Revisions of Classic Works (review)
  2. Annika C. Speer
  3. pp. 232-234
  4. restricted access

Index

  1. TDR Volume 54 Index
  3. pp. 235-241
  4. restricted access