In this Issue

Table of Contents

The Kaleidoscope of Writing on Hip-Hop Culture

Gail Hilson Woldu
pp. 9-38
DOI: https://doi.org/10.1353/not.2010.0031
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Sound Archiving Close to Home: Why Community Partnerships Matter

John Vallier
pp. 39-49
DOI: https://doi.org/10.1353/not.2010.0038
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Reaching Beyond Traditional Boundaries: The Librarian and Musicians' Health

Deborah L. Pierce
pp. 50-67
DOI: https://doi.org/10.1353/not.2010.0000
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The Legacy of Eugène Ysaÿe: Transmitted, Adapted, and Reinterpreted

Ray Iwazumi
pp. 68-88
DOI: https://doi.org/10.1353/not.2010.0007
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Notes for Notes

pp. 89-91
DOI: https://doi.org/10.1353/not.2010.0014
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Selling Sounds: The Commercial Revolution in American Music (review)

Scott A. Carter
pp. 92-94
DOI: https://doi.org/10.1353/not.2010.0018
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Theory and Analysis of Classic Heavy Metal Harmony (review)

John J. Sheinbaum
pp. 94-96
DOI: https://doi.org/10.1353/not.2010.0025
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Cafe Society: The Wrong Place for the Right People (review)

Jonathon Bakan
pp. 96-98
DOI: https://doi.org/10.1353/not.2010.0033
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How The Beatles Destroyed Rock 'n' Roll: An Alternative Music History of American Popular Music (review)

John Clark
pp. 98-101
DOI: https://doi.org/10.1353/not.2010.0040
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B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present (review)

Shelley L. Smith
pp. 101-103
DOI: https://doi.org/10.1353/not.2010.0002
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The British Pop Dandy: Masculinity, Popular Music and Culture (review)

Sarah F. Williams
pp. 103-105
DOI: https://doi.org/10.1353/not.2010.0009
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Fear of Music: Why People Get Rothko but Don't Get Stockhausen (review)

Thomas Bell
pp. 105-107
DOI: https://doi.org/10.1353/not.2010.0016
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Music and the Myth of Arcadia in Renaissance Italy (review)

Bibiana Gattozzi
pp. 107-110
DOI: https://doi.org/10.1353/not.2010.0023
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Studies in English Church Music, 1550–1900 (review)

Julian Onderdonk
pp. 110-112
DOI: https://doi.org/10.1353/not.2010.0030
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Franco Alfano: Transcending Turandot (review)

Laura Basini
pp. 112-114
DOI: https://doi.org/10.1353/not.2010.0037
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Haydn's Jews: Representation and Reception on the Operatic Stage (review)

Paul Christiansen
pp. 114-116
DOI: https://doi.org/10.1353/not.2010.0044
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Freihaustheater in Wien 1787–1801. Wirkungsstätte von W. A. Mozart und E. Schikaneder. Sammlung der Dokumente (review)

Evan Baker
pp. 116-118
DOI: https://doi.org/10.1353/not.2010.0006
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Our Schubert: His Enduring Legacy (review)

Geoffrey Block
pp. 118-121
DOI: https://doi.org/10.1353/not.2010.0013
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Goethe and Zelter: Musical Dialogues (review)

James Parsons
pp. 121-123
DOI: https://doi.org/10.1353/not.2010.0020
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Gabriel Fauré: The Songs and Their Poets (review)

James William Sobaskie
pp. 123-126
DOI: https://doi.org/10.1353/not.2010.0027
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Tchaikovsky (review)

Albrecht Gaub
pp. 126-129
DOI: https://doi.org/10.1353/not.2010.0034
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Janáček beyond the Borders (review)

John K. Novak
pp. 129-130
DOI: https://doi.org/10.1353/not.2010.0041
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Der Schall: Mauricio Kagels Instrumentarium (review)

Björn Heile
pp. 131-133
DOI: https://doi.org/10.1353/not.2010.0003
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Schoenberg's Chamber Music, Schoenberg's World (review)

Bryan R. Simms
pp. 134-136
DOI: https://doi.org/10.1353/not.2010.0010
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Liber Amicorum: Festschriften for Music Scholars and Nonmusicians, 1840–1966 (review)

Allen Scott
pp. 136-138
DOI: https://doi.org/10.1353/not.2010.0017
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Books Recently Published

Karen R. Little, James Procell
pp. 139-157
DOI: https://doi.org/10.1353/not.2010.0021
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New Periodicals

Liza Vick
pp. 158-163
DOI: https://doi.org/10.1353/not.2010.0028
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The Folk Music Index, and: Discography of Bluegrass Sound Recordings (review)

Nicole Saylor
pp. 164-165
DOI: https://doi.org/10.1353/not.2010.0024
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International Index to Music Periodicals Full Text (review)

Paul Cary
pp. 165-171
DOI: https://doi.org/10.1353/not.2010.0032
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Don Giovanni (review)

Rob Haskins
pp. 172-173
DOI: https://doi.org/10.1353/not.2010.0015
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Cyrano de Bergerac, and: Marcella (review)

John Holland
pp. 173-174
DOI: https://doi.org/10.1353/not.2010.0022
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The Gambler, and: Lady Macbeth of Mtsensk (review)

John Holland
pp. 174-175
DOI: https://doi.org/10.1353/not.2010.0036
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Herbert von Karajan: Maestro for the Screen (review)

S. Andrew Granade
pp. 175-177
DOI: https://doi.org/10.1353/not.2010.0005
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Plácido Domingo: My Greatest Roles (review)

Alicia M. Doyle
p. 177
DOI: https://doi.org/10.1353/not.2010.0012
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Twin Spirits: Portraying the Love of Robert & Clara Schumann in Words (review)

Travis D. Stimeling
pp. 177-178
DOI: https://doi.org/10.1353/not.2010.0019
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Composing Outside the Beatles: Lennon and McCartney, 1967–1972, and: George Harrison: Beautiful Stranger Unauthorized (review)

Michael Adams
pp. 178-179
DOI: https://doi.org/10.1353/not.2010.0026
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Serenaden: Nr. 1 D-dur für grosses Orchester Opus 11, Nr. 2 A-dur für kleines Orchester Opus 16 (review)

Jacquelyn Sholes
pp. 180-183
DOI: https://doi.org/10.1353/not.2010.0039
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Bach for Brass: Sämtliche Blechbläserpartien Johann Sebastian Bachs in Stimmenpartitur mit Pauken = Johann Sebastian Bach's Complete Brass Parts in a Short Score including Timpani, and: L'Allegro, il Pensieroso ed il Moderato: Oratorio in three parts, HWV 55; version of 1741, and: Messiah, HWV 56, and: Die lateinischen Messen = The Latin Masses in Eleven Volumes, Hob. XXII: 1–14, and: Geistliche Musik für Chor und Orchester = The Sacred Vocal Music with Orchestra in Critical Editions, and: Preludio sinfonico, SC32 (review)

James Wintle
pp. 183-187
DOI: https://doi.org/10.1353/not.2010.0001
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Music Publishers' Catalogs

George R. Hill
pp. 196-199
DOI: https://doi.org/10.1353/not.2010.0042
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Communications

Alec McLane
p. 200
DOI: https://doi.org/10.1353/not.2010.0004
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Music Library Association Administrative Structure

pp. 201-215
DOI: https://doi.org/10.1353/not.2010.0011
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Music Received

David Knapp
pp. 188-195
DOI: https://doi.org/10.1353/not.2010.0035
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