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In this Issue

Table of Contents

  1. The Kaleidoscope of Writing on Hip-Hop Culture
  2. Gail Hilson Woldu
  3. pp. 9-38
  4. DOI: https://doi.org/10.1353/not.2010.0031
  5. restricted access
  1. Sound Archiving Close to Home: Why Community Partnerships Matter
  2. John Vallier
  3. pp. 39-49
  4. DOI: https://doi.org/10.1353/not.2010.0038
  5. restricted access
  1. Reaching Beyond Traditional Boundaries: The Librarian and Musicians' Health
  2. Deborah L. Pierce
  3. pp. 50-67
  4. DOI: https://doi.org/10.1353/not.2010.0000
  5. restricted access
  1. The Legacy of Eugène Ysaÿe: Transmitted, Adapted, and Reinterpreted
  2. Ray Iwazumi
  3. pp. 68-88
  4. DOI: https://doi.org/10.1353/not.2010.0007
  5. restricted access
  1. Notes for Notes
  2. pp. 89-91
  3. DOI: https://doi.org/10.1353/not.2010.0014
  4. restricted access
  1. Selling Sounds: The Commercial Revolution in American Music (review)
  2. Scott A. Carter
  3. pp. 92-94
  4. DOI: https://doi.org/10.1353/not.2010.0018
  5. restricted access
  1. Theory and Analysis of Classic Heavy Metal Harmony (review)
  2. John J. Sheinbaum
  3. pp. 94-96
  4. DOI: https://doi.org/10.1353/not.2010.0025
  5. restricted access
  1. Cafe Society: The Wrong Place for the Right People (review)
  2. Jonathon Bakan
  3. pp. 96-98
  4. DOI: https://doi.org/10.1353/not.2010.0033
  5. restricted access
  1. How The Beatles Destroyed Rock 'n' Roll: An Alternative Music History of American Popular Music (review)
  2. John Clark
  3. pp. 98-101
  4. DOI: https://doi.org/10.1353/not.2010.0040
  5. restricted access
  1. B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present (review)
  2. Shelley L. Smith
  3. pp. 101-103
  4. DOI: https://doi.org/10.1353/not.2010.0002
  5. restricted access
  1. The British Pop Dandy: Masculinity, Popular Music and Culture (review)
  2. Sarah F. Williams
  3. pp. 103-105
  4. DOI: https://doi.org/10.1353/not.2010.0009
  5. restricted access
  1. Fear of Music: Why People Get Rothko but Don't Get Stockhausen (review)
  2. Thomas Bell
  3. pp. 105-107
  4. DOI: https://doi.org/10.1353/not.2010.0016
  5. restricted access
  1. Music and the Myth of Arcadia in Renaissance Italy (review)
  2. Bibiana Gattozzi
  3. pp. 107-110
  4. DOI: https://doi.org/10.1353/not.2010.0023
  5. restricted access
  1. Studies in English Church Music, 1550–1900 (review)
  2. Julian Onderdonk
  3. pp. 110-112
  4. DOI: https://doi.org/10.1353/not.2010.0030
  5. restricted access
  1. Franco Alfano: Transcending Turandot (review)
  2. Laura Basini
  3. pp. 112-114
  4. DOI: https://doi.org/10.1353/not.2010.0037
  5. restricted access
  1. Haydn's Jews: Representation and Reception on the Operatic Stage (review)
  2. Paul Christiansen
  3. pp. 114-116
  4. DOI: https://doi.org/10.1353/not.2010.0044
  5. restricted access
  1. Our Schubert: His Enduring Legacy (review)
  2. Geoffrey Block
  3. pp. 118-121
  4. DOI: https://doi.org/10.1353/not.2010.0013
  5. restricted access
  1. Goethe and Zelter: Musical Dialogues (review)
  2. James Parsons
  3. pp. 121-123
  4. DOI: https://doi.org/10.1353/not.2010.0020
  5. restricted access
  1. Gabriel Fauré: The Songs and Their Poets (review)
  2. James William Sobaskie
  3. pp. 123-126
  4. DOI: https://doi.org/10.1353/not.2010.0027
  5. restricted access
  1. Tchaikovsky (review)
  2. Albrecht Gaub
  3. pp. 126-129
  4. DOI: https://doi.org/10.1353/not.2010.0034
  5. restricted access
  1. Janáček beyond the Borders (review)
  2. John K. Novak
  3. pp. 129-130
  4. DOI: https://doi.org/10.1353/not.2010.0041
  5. restricted access
  1. Der Schall: Mauricio Kagels Instrumentarium (review)
  2. Björn Heile
  3. pp. 131-133
  4. DOI: https://doi.org/10.1353/not.2010.0003
  5. restricted access
  1. Schoenberg's Chamber Music, Schoenberg's World (review)
  2. Bryan R. Simms
  3. pp. 134-136
  4. DOI: https://doi.org/10.1353/not.2010.0010
  5. restricted access
  1. Liber Amicorum: Festschriften for Music Scholars and Nonmusicians, 1840–1966 (review)
  2. Allen Scott
  3. pp. 136-138
  4. DOI: https://doi.org/10.1353/not.2010.0017
  5. restricted access
  1. Books Recently Published
  2. Karen R. Little, James Procell
  3. pp. 139-157
  4. DOI: https://doi.org/10.1353/not.2010.0021
  5. restricted access
  1. New Periodicals
  2. Liza Vick
  3. pp. 158-163
  4. DOI: https://doi.org/10.1353/not.2010.0028
  5. restricted access
  1. The Folk Music Index, and: Discography of Bluegrass Sound Recordings (review)
  2. Nicole Saylor
  3. pp. 164-165
  4. DOI: https://doi.org/10.1353/not.2010.0024
  5. restricted access
  1. International Index to Music Periodicals Full Text (review)
  2. Paul Cary
  3. pp. 165-171
  4. DOI: https://doi.org/10.1353/not.2010.0032
  5. restricted access
  1. Don Giovanni (review)
  2. Rob Haskins
  3. pp. 172-173
  4. DOI: https://doi.org/10.1353/not.2010.0015
  5. restricted access
  1. Cyrano de Bergerac, and: Marcella (review)
  2. John Holland
  3. pp. 173-174
  4. DOI: https://doi.org/10.1353/not.2010.0022
  5. restricted access
  1. The Gambler, and: Lady Macbeth of Mtsensk (review)
  2. John Holland
  3. pp. 174-175
  4. DOI: https://doi.org/10.1353/not.2010.0036
  5. restricted access
  1. Herbert von Karajan: Maestro for the Screen (review)
  2. S. Andrew Granade
  3. pp. 175-177
  4. DOI: https://doi.org/10.1353/not.2010.0005
  5. restricted access
  1. Plácido Domingo: My Greatest Roles (review)
  2. Alicia M. Doyle
  3. p. 177
  4. DOI: https://doi.org/10.1353/not.2010.0012
  5. restricted access
  1. Twin Spirits: Portraying the Love of Robert & Clara Schumann in Words (review)
  2. Travis D. Stimeling
  3. pp. 177-178
  4. DOI: https://doi.org/10.1353/not.2010.0019
  5. restricted access
  1. Serenaden: Nr. 1 D-dur für grosses Orchester Opus 11, Nr. 2 A-dur für kleines Orchester Opus 16 (review)
  2. Jacquelyn Sholes
  3. pp. 180-183
  4. DOI: https://doi.org/10.1353/not.2010.0039
  5. restricted access
  1. Music Publishers' Catalogs
  2. George R. Hill
  3. pp. 196-199
  4. DOI: https://doi.org/10.1353/not.2010.0042
  5. restricted access
  1. Communications
  2. Alec McLane
  3. p. 200
  4. DOI: https://doi.org/10.1353/not.2010.0004
  5. restricted access
  1. Music Library Association Administrative Structure
  2. pp. 201-215
  3. DOI: https://doi.org/10.1353/not.2010.0011
  4. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 188-195
  4. DOI: https://doi.org/10.1353/not.2010.0035
  5. restricted access