1. ¿Decadencia o progreso?: La música del siglo XVIII y el nacionalismo decimonónico
  2. Alejandro Vera
  3. pp. 1-39
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  1. Contemporary “Latin American” Composers of Art Music in the United States: Cosmopolitans Navigating Multiculturalism and Universalism
  2. Marc Gidal
  3. pp. 40-78
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  1. Il Guarany for Foreigners: Colonialist Racism, Naïve Utopia, or Pleasant Entertainment?
  2. Durval Cesetti
  3. pp. 101-121
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  1. Sounds of the Modern Nation: Music, Culture, and the Ideas in Post-Revolutionary Mexico (review)
  2. Andrés Amado
  3. pp. 122-125
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  1. La Musique comme valeur sociale et symbole identitaire: L’exemple d’une communauté afro-anglaise en Colombie (île de Providence) (review)
  2. Ron Emoff
  3. pp. 126-128
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  1. Estudios sobre la obra de Astor Piazzolla (review)
  2. Michael O’Brien
  3. pp. 129-131
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  1. La “invención” de la música indígena de México: Antropología e historia de las políticas culturales del siglo XX (review)
  2. Daniel Sheehy
  3. pp. 131-135
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  1. Creating Our Own: Folklore, Performance, and Identity in Cuzco, Peru (review)
  2. Joshua Tucker
  3. pp. 135-139
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  1. The Routes of Rumba (review)
  2. Johnny Frías
  3. pp. 139-143
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  1. Communications and Announcements
  2. pp. 144-145
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  1. In Memoriam
  2. Sean Bellaviti
  3. pp. 147-150
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  1. Contributors
  2. p. 146
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