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In this Issue

Table of Contents

  1. The Subject of Torture: Regarding the Pain of Americans in Hostel
  2. Jason Middleton
  3. pp. 1-24
  4. DOI: https://doi.org/10.1353/cj.2010.0013
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  1. Reassuring Convergence: Online Fandom, Race, and Disney’s Notorious Song of the South
  2. Jason Sperb
  3. pp. 25-45
  4. DOI: https://doi.org/10.1353/cj.2010.0016
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  1. No Longer Themselves?: Framing Digitally Enabled Posthumous “Performance”
  2. Lisa Bode
  3. pp. 46-70
  4. DOI: https://doi.org/10.1353/cj.2010.0019
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  1. Soviet-Indian Coproductions: Alibaba as Political Allegory
  2. Masha Salazkina
  3. pp. 71-89
  4. DOI: https://doi.org/10.1353/cj.2010.0002
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  1. The Digital Multitude
  2. Kristen Whissel
  3. pp. 90-110
  4. DOI: https://doi.org/10.1353/cj.2010.0005
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  1. City of Women: Busby Berkeley, Architecture, and Urban Space
  2. Lucy Fischer
  3. pp. 111-130
  4. DOI: https://doi.org/10.1353/cj.2010.0008
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Conference Report: The Radio Conference 2009: A Transnational Forum, York University, Toronto, Canada, July 27-30, 2009

  1. The Radio Conference 2009: A Transnational Forum, York University, Toronto, Canada, July 27–30, 2009
  2. Jason Loviglio
  3. pp. 131-134
  4. DOI: https://doi.org/10.1353/cj.2010.0011
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In Focus: The French New Wave at Fifty: Pushing the Boundaries

  1. Introduction
  2. Ginette Vincendeau
  3. pp. 135-138
  4. DOI: https://doi.org/10.1353/cj.2010.0010
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  1. The New Wave’s American Reception
  2. Richard Neupert
  3. pp. 139-145
  4. DOI: https://doi.org/10.1353/cj.2010.0001
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  1. Who Killed Brigitte Bardot?: Perspectives on the New Wave at Fifty
  2. Vanessa R. Schwartz
  3. pp. 145-152
  4. DOI: https://doi.org/10.1353/cj.2010.0004
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  1. French New Wave Cinema and the Legacy of Male Libertinage
  2. Geneviève Sellier, Noël Burch
  3. pp. 152-158
  4. DOI: https://doi.org/10.1353/cj.2010.0007
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  1. Cinematic Microcosm and Cultural Cosmologies: Elements of a Sociology of the New Wave
  2. Philippe Mary, Nataša Ďurovičová
  3. pp. 159-166
  4. DOI: https://doi.org/10.1353/cj.2010.0018
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  1. Contributors
  2. p. 166
  3. DOI: https://doi.org/10.1353/cj.2010.0015
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Book Reviews: Global Wave

  1. Making Waves: New Cinemas of the 1960s (review)
  2. Michael DeAngelis
  3. pp. 167-169
  4. DOI: https://doi.org/10.1353/cj.2010.0017
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  1. Brazil on Screen: Cinema Novo, New Cinema, Utopia (review)
  2. Lisa Shaw
  3. pp. 169-171
  4. DOI: https://doi.org/10.1353/cj.2010.0006
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  1. Reading the French New Wave: Critics, Writers and Art Cinema in France (review)
  2. Anne M. Kern
  3. pp. 172-174
  4. DOI: https://doi.org/10.1353/cj.2010.0020
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  1. The Cinema of Hong Kong: History, Arts, Identity (review)
  2. Jay McRoy
  3. pp. 175-177
  4. DOI: https://doi.org/10.1353/cj.2010.0003
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  1. Contributors
  2. p. 178
  3. DOI: https://doi.org/10.1353/cj.2010.0014
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Society for Cinema and Media Studies Statement of Fair Use Best Practices for Media Studies Publishing

  1. Society for Cinema and Media Studies Statement of Fair Use Best Practices for Media Studies Publishing
  2. pp. 179-185
  3. DOI: https://doi.org/10.1353/cj.2010.0009
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Annotated Index to Volume 49

  1. Cinema Journal Annotated Index to Volume 49
  2. pp. 186-190
  3. DOI: https://doi.org/10.1353/cj.2010.0012
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