+ MUSE Alert

In this Issue

Table of Contents

  1. The Subject of Torture: Regarding the Pain of Americans in Hostel
  2. Jason Middleton
  3. pp. 1-24
  4. DOI: https://doi.org/10.1353/cj.2010.0013
  5. restricted access
  1. Reassuring Convergence: Online Fandom, Race, and Disney’s Notorious Song of the South
  2. Jason Sperb
  3. pp. 25-45
  4. DOI: https://doi.org/10.1353/cj.2010.0016
  5. restricted access
  1. No Longer Themselves?: Framing Digitally Enabled Posthumous “Performance”
  2. Lisa Bode
  3. pp. 46-70
  4. DOI: https://doi.org/10.1353/cj.2010.0019
  5. restricted access
  1. Soviet-Indian Coproductions: Alibaba as Political Allegory
  2. Masha Salazkina
  3. pp. 71-89
  4. DOI: https://doi.org/10.1353/cj.2010.0002
  5. restricted access
  1. The Digital Multitude
  2. Kristen Whissel
  3. pp. 90-110
  4. DOI: https://doi.org/10.1353/cj.2010.0005
  5. restricted access
  1. City of Women: Busby Berkeley, Architecture, and Urban Space
  2. Lucy Fischer
  3. pp. 111-130
  4. DOI: https://doi.org/10.1353/cj.2010.0008
  5. restricted access
  1. The Radio Conference 2009: A Transnational Forum, York University, Toronto, Canada, July 27–30, 2009
  2. Jason Loviglio
  3. pp. 131-134
  4. DOI: https://doi.org/10.1353/cj.2010.0011
  5. restricted access
  1. The New Wave’s American Reception
  2. Richard Neupert
  3. pp. 139-145
  4. DOI: https://doi.org/10.1353/cj.2010.0001
  5. restricted access
  1. Who Killed Brigitte Bardot?: Perspectives on the New Wave at Fifty
  2. Vanessa R. Schwartz
  3. pp. 145-152
  4. DOI: https://doi.org/10.1353/cj.2010.0004
  5. restricted access
  1. French New Wave Cinema and the Legacy of Male Libertinage
  2. Geneviève Sellier, Noël Burch
  3. pp. 152-158
  4. DOI: https://doi.org/10.1353/cj.2010.0007
  5. restricted access
  1. Cinematic Microcosm and Cultural Cosmologies: Elements of a Sociology of the New Wave
  2. Philippe Mary, Nataša Ďurovičová
  3. pp. 159-166
  4. DOI: https://doi.org/10.1353/cj.2010.0018
  5. restricted access
  1. Making Waves: New Cinemas of the 1960s (review)
  2. Michael DeAngelis
  3. pp. 167-169
  4. DOI: https://doi.org/10.1353/cj.2010.0017
  5. restricted access
  1. Brazil on Screen: Cinema Novo, New Cinema, Utopia (review)
  2. Lisa Shaw
  3. pp. 169-171
  4. DOI: https://doi.org/10.1353/cj.2010.0006
  5. restricted access
  1. Reading the French New Wave: Critics, Writers and Art Cinema in France (review)
  2. Anne M. Kern
  3. pp. 172-174
  4. DOI: https://doi.org/10.1353/cj.2010.0020
  5. restricted access
  1. The Cinema of Hong Kong: History, Arts, Identity (review)
  2. Jay McRoy
  3. pp. 175-177
  4. DOI: https://doi.org/10.1353/cj.2010.0003
  5. restricted access
  1. Society for Cinema and Media Studies Statement of Fair Use Best Practices for Media Studies Publishing
  3. pp. 179-185
  4. DOI: https://doi.org/10.1353/cj.2010.0009
  5. restricted access
  1. Cinema Journal Annotated Index to Volume 49
  3. pp. 186-190
  4. DOI: https://doi.org/10.1353/cj.2010.0012
  5. restricted access
  1. Introduction
  2. Ginette Vincendeau
  3. pp. 135-138
  4. DOI: https://doi.org/10.1353/cj.2010.0010
  5. restricted access
  1. Contributors
  3. p. 166
  4. DOI: https://doi.org/10.1353/cj.2010.0015
  5. restricted access
  1. Contributors
  3. p. 178
  4. DOI: https://doi.org/10.1353/cj.2010.0014
  5. restricted access