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Table of Contents

  1. Lope de Vega, Propagandist?
  2. Charlotte Stern
  3. pp. 1-36
  4. DOI: https://doi.org/10.1353/boc.1982.0017
  5. restricted access
  1. Las hilanderas, the Theater, and a Comedia by Calderon
  2. Ana M. Beamud
  3. pp. 37-44
  4. DOI: https://doi.org/10.1353/boc.1982.0022
  5. restricted access
  1. El lacayo fingido: New Evidence against Lope's Authorship
  2. Philip Smyth
  3. pp. 45-50
  4. DOI: https://doi.org/10.1353/boc.1982.0027
  5. restricted access
  1. Sobre la fecha de Los hechos de Garcilaso de Lope de Vega
  2. A.J. Cascardi
  3. pp. 51-61
  4. DOI: https://doi.org/10.1353/boc.1982.0002
  5. restricted access
  1. The New-Christian Dilemma in Two Plays by Lope de Vega
  2. David M. Gitlitz
  3. pp. 63-81
  4. DOI: https://doi.org/10.1353/boc.1982.0006
  5. restricted access
  1. The Order in the Court: Cervantes' Entremes del juez de los divorcios
  2. Mary Gaylord Randel
  3. pp. 83-95
  4. DOI: https://doi.org/10.1353/boc.1982.0011
  5. restricted access
  1. Theology and the Stage: The God Figure in Calderon's Autos Sacramentales
  2. Donald T. Dietz
  3. pp. 97-105
  4. DOI: https://doi.org/10.1353/boc.1982.0015
  5. restricted access
  1. La estructura lírica de la comedia de Lope de Vega (review)
  2. Michael D. McGaha
  3. pp. 107-109
  4. DOI: https://doi.org/10.1353/boc.1982.0020
  5. restricted access
  1. The Characters, Plots and Settings of Calderón's 'Comedias' (review)
  2. A. Valbuena Briones
  3. pp. 109-111
  4. DOI: https://doi.org/10.1353/boc.1982.0025
  5. restricted access
  1. Risa y sociedad en el teatro español del siglo de oro (review)
  2. Gerald E. Wade
  3. pp. 111-113
  4. DOI: https://doi.org/10.1353/boc.1982.0000
  5. restricted access
  1. Calderón's Characters: An Existential Point of View (review)
  2. Susan L. Fischer
  3. pp. 113-115
  4. DOI: https://doi.org/10.1353/boc.1982.0004
  5. restricted access
  1. Correction
  3. p. 116
  4. DOI: https://doi.org/10.1353/boc.1982.0008
  5. restricted access
  1. The First Edition of Antonio de Solis' Triunfos de amor y fortuna
  2. Harold Jones
  3. pp. 117-121
  4. DOI: https://doi.org/10.1353/boc.1982.0013
  5. restricted access
  1. A Production of La Vida es Sueño at Madrid's Teatro Espanol
  2. Alva V. Ebersole
  3. pp. 123-124
  4. DOI: https://doi.org/10.1353/boc.1982.0018
  5. restricted access
  1. Concerning a Recent Interpretation of Calderonian Comedy
  2. Gerald E. Wade
  3. pp. 125-129
  4. DOI: https://doi.org/10.1353/boc.1982.0023
  5. restricted access
  1. Minutes of the 1981 Meetings of the Comediantes
  2. Frank P. Casa
  3. pp. 131-133
  4. DOI: https://doi.org/10.1353/boc.1982.0028
  5. restricted access