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In this Issue

Table of Contents

  1. The New Negro Era and the Great African American Transformation
  2. Gerald Early
  3. pp. 9-19
  4. DOI: https://doi.org/10.1353/ams.2010.0010
  5. restricted access
  1. The Flat Plane, the Jagged Edge: Aaron Douglas's Musical Art
  2. Robert G. O'Meally
  3. pp. 21-35
  4. DOI: https://doi.org/10.1353/ams.2010.0000
  5. restricted access
  1. The Vigilant Torch of an Olympian Painter
  2. Terry Adkins
  3. pp. 37-43
  4. DOI: https://doi.org/10.1353/ams.2010.0002
  5. restricted access
  1. On Time, In Time, Through Time: Aaron Douglas, Fire!! and the Writers of the Harlem Renaissance
  2. Farah Jasmine Griffin
  3. pp. 45-53
  4. DOI: https://doi.org/10.1353/ams.2010.0004
  5. restricted access
  1. Image Portfolio
  3. pp. 55-80
  4. DOI: https://doi.org/10.1353/ams.2010.0005
  5. restricted access
  1. Dark Tower and the Saturday Nighters: Salons as Themes in African American Drama
  2. David Krasner
  3. pp. 81-95
  4. DOI: https://doi.org/10.1353/ams.2010.0007
  5. restricted access
  1. The Burden of Black Womanhood: Aaron Douglas and the "Apogée of Beauty"
  2. Amy Kirschke
  3. pp. 97-105
  4. DOI: https://doi.org/10.1353/ams.2010.0009
  5. restricted access
  1. Paint that Thing! Aaron Douglas's Call to Modernism
  2. Richard J. Powell
  3. pp. 107-119
  4. DOI: https://doi.org/10.1353/ams.2010.0011
  5. restricted access
  1. Aaron Douglas: African American Modernist: The Exhibition, the Artist, and His Legacy
  2. Stephanie Fox Knappe
  3. pp. 121-130
  4. DOI: https://doi.org/10.1353/ams.2010.0001
  5. restricted access
  1. The Douglas Legacy
  2. Cheryl R. Ragar
  3. pp. 131-145
  4. DOI: https://doi.org/10.1353/ams.2010.0003
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  1. Notes on Contributors
  3. pp. 4-147
  4. DOI: https://doi.org/10.1353/ams.2010.0006
  5. restricted access
  1. Introduction
  2. William J. Harris
  3. pp. 5-8
  4. DOI: https://doi.org/10.1353/ams.2010.0008
  5. restricted access