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Table of Contents

  1. After Acknowledgement: Theodore Parker as Representative Man
  2. Prentiss Clark
  3. pp. 1-22
  4. DOI: https://doi.org/10.1353/arq.2010.0000
  5. restricted access
  1. To "tell again in many ways": Iteration and Translation in The Souls of Black Folk
  2. Adalaine Holton
  3. pp. 23-43
  4. DOI: https://doi.org/10.1353/arq.2010.0006
  5. restricted access
  1. "A True Picture of Facts": Cinematic Realism in Dreiser's An American Tragedy
  2. Jon Enfield
  3. pp. 45-69
  4. DOI: https://doi.org/10.1353/arq.2010.0005
  5. restricted access
  1. Raising Eden in Death Comes for the Archbishop
  2. Sarah Mahurin Mutter
  3. pp. 71-97
  4. DOI: https://doi.org/10.1353/arq.2010.0004
  5. restricted access
  1. The Mexican Revolution in the Eyes of Katherine Anne Porter and Nellie Campobello
  2. Emron Esplin
  3. pp. 99-122
  4. DOI: https://doi.org/10.1353/arq.2010.0003
  5. restricted access
  1. Some Assembly Required: The Embodied Politics of Infinite Jest
  2. Emily Russell
  3. pp. 147-169
  4. DOI: https://doi.org/10.1353/arq.2010.0001
  5. restricted access
  1. The Contributors
  2. p. 171
  3. DOI: https://doi.org/10.1353/arq.2010.0007
  4. restricted access