1. Pretending to Say
  2. Sandra Ceballos Obaya, Coco Fusco
  3. pp. 2-3
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  1. Broadening the Broad Spectrum
  2. Richard Schechner
  3. pp. 7-8
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  1. Stanislavsky and Cognitive Science
  2. John Wesley Hill, Rhonda Blair
  3. pp. 9-11
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  1. Announcement
  2. p. 11
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  1. Blind Mouth Singing
  2. Coco Fusco
  3. pp. 12-17
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  1. Blind Mouth Singing
  2. Jorge Ignacio Cortiñas, Coco Fusco
  3. pp. 18-53
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  1. "Speaking a Mutual Language": The Negro People's Theatre in Chicago
  2. Melissa Barton
  3. pp. 54-70
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  1. Brown Punk: Kalup Linzy's Musical Anticipations
  2. Tavia Nyong'o
  3. pp. 71-86
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  1. Wooster Baroque
  2. Branislav Jakovljevic
  3. pp. 87-122
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  1. Steve Paxton's "Interior Techniques": Contact Improvisation and Political Power
  2. Robert Turner
  3. pp. 123-135
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  1. Of Tent Shows and Liturgies: One breath left: Dies Iræ
  2. Cláudia Tatinge Nascimento
  3. pp. 136-149
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  1. Driving Deeper into That Thing: The Humanity of Heiner Goebbels's Stifters Dinge
  2. Gelsey Bell
  3. pp. 150-158
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  1. King/Cate: Stardom, Aura, and the Stage Figure in the Sydney Theatre Company's Production of Richard II
  2. Glen McGillivray
  3. pp. 158-163
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  1. Meeting to Find a Way to Let Me Down Easy
  2. Candace M. Joice
  3. pp. 163-169
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  1. Out of Now: The Lifeworks of Tehching Hsieh (review)
  2. Lara Shalson
  3. pp. 174-176
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  1. Tehching Hsieh: One Year Performance: Art Documents 1978-1999 (review)
  2. T. Nikki Cesare
  3. pp. 176-178
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  1. Performance Histories (review)
  2. Paul Rae
  3. pp. 178-180
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