1. 'The Plasterers' and Early Sound Cinema Aesthetics
  2. Michael Slowik
  3. pp. 55-75
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  1. The Selznick Studio, ‘Spellbound’, and the Marketing of Film Music
  2. Kyle S. Barnett
  3. pp. 77-98
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  1. CineMusic? Constructing the Film Score (review)
  2. Ben Winters
  3. pp. 109-115
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  1. Hitchcock’s Music (review)
  2. Ciarán Crilly
  3. pp. 117-122
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  1. From Pac-Man to Pop Music: Interactive Audio in Games and New Media (review)
  2. Orlene Denice McMahon
  3. pp. 123-129
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  1. Contributors to issue 4:1
  2. pp. 131-132
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