1. Pericles, Paul, and Protestantism
  2. Richard Finkelstein
  3. pp. 101-129
  4. DOI: 10.1353/cdr.0.0103
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  1. Striking a Pose: Performance Cues in Four French Hagiographic Mystery Plays
  2. Vicki L. Hamblin
  3. pp. 131-154
  4. DOI: 10.1353/cdr.0.0106
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  1. The Spirit of the Chorus in D'Annunzio's La città morta
  2. James Nikopoulos
  3. pp. 155-178
  4. DOI: 10.1353/cdr.0.0108
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  1. "Hilda, Harnessed to a Purpose": Elizabeth Robins, Ibsen, and the Vote
  2. Maroula Joannou
  3. pp. 179-200
  4. DOI: 10.1353/cdr.0.0110
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  1. Tragedy After Darwin: Timberlake Wertenbaker Remakes "Modern" Tragedy
  2. Sara Freeman
  3. pp. 201-227
  4. DOI: 10.1353/cdr.0.0098
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  1. Performance in Place of War (review)
  2. Marvin Carlson
  3. pp. 229-231
  4. DOI: 10.1353/cdr.0.0100
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  1. Euripides: Trojan Women (review)
  2. Simon Perris
  3. pp. 231-234
  4. DOI: 10.1353/cdr.0.0102
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  1. Two Moral Interludes: The Pride of Life and Wisdom (review)
  2. Alan J. Fletcher
  3. pp. 234-236
  4. DOI: 10.1353/cdr.0.0105
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  1. Tragic Conditions in Shakespeare: Disinheriting the Globe (review)
  2. Emma Smith
  3. pp. 237-239
  4. DOI: 10.1353/cdr.0.0107
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  1. Shakespeare on Silent Film: An Excellent Dumb Discourse (review)
  2. Emmie McFadden
  3. pp. 245-248
  4. DOI: 10.1353/cdr.0.0099
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  1. Euripides Our Contemporary (review)
  2. George Kovacs
  3. pp. 249-252
  4. DOI: 10.1353/cdr.0.0101
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  1. The Cambridge Introduction to Comedy (review)
  2. Miriam Chirico
  3. pp. 239-242
  4. DOI: 10.1353/cdr.0.0109
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  1. Aristophanes: An Introduction (review)
  2. Charles Platter
  3. pp. 242-245
  4. DOI: 10.1353/cdr.0.0097
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  1. Contributors
  2. pp. 253-254
  3. DOI: 10.1353/cdr.0.0104
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