Comparative Drama

In this Issue

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Pericles, Paul, and Protestantism

Richard Finkelstein

pp. 101-129

DOI: https://doi.org/10.1353/cdr.0.0103

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Striking a Pose: Performance Cues in Four French Hagiographic Mystery Plays

Vicki L. Hamblin

pp. 131-154

DOI: https://doi.org/10.1353/cdr.0.0106

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The Spirit of the Chorus in D'Annunzio's La città morta

James Nikopoulos

pp. 155-178

DOI: https://doi.org/10.1353/cdr.0.0108

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"Hilda, Harnessed to a Purpose": Elizabeth Robins, Ibsen, and the Vote

Maroula Joannou

pp. 179-200

DOI: https://doi.org/10.1353/cdr.0.0110

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Tragedy After Darwin: Timberlake Wertenbaker Remakes "Modern" Tragedy

Sara Freeman

pp. 201-227

DOI: https://doi.org/10.1353/cdr.0.0098

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Performance in Place of War (review)

Marvin Carlson

pp. 229-231

DOI: https://doi.org/10.1353/cdr.0.0100

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Euripides: Trojan Women (review)

Simon Perris

pp. 231-234

DOI: https://doi.org/10.1353/cdr.0.0102

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Two Moral Interludes: The Pride of Life and Wisdom (review)

Alan J. Fletcher

pp. 234-236

DOI: https://doi.org/10.1353/cdr.0.0105

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Tragic Conditions in Shakespeare: Disinheriting the Globe (review)

Emma Smith

pp. 237-239

DOI: https://doi.org/10.1353/cdr.0.0107

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Shakespeare on Silent Film: An Excellent Dumb Discourse (review)

Emmie McFadden

pp. 245-248

DOI: https://doi.org/10.1353/cdr.0.0099

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Euripides Our Contemporary (review)

George Kovacs

pp. 249-252

DOI: https://doi.org/10.1353/cdr.0.0101

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The Cambridge Introduction to Comedy (review)

Miriam Chirico

pp. 239-242

DOI: https://doi.org/10.1353/cdr.0.0109

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Aristophanes: An Introduction (review)

Charles Platter

pp. 242-245

DOI: https://doi.org/10.1353/cdr.0.0097

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Contributors

pp. 253-254

DOI: https://doi.org/10.1353/cdr.0.0104

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Volume 44, Number 1, Spring 2010

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Volume 44, Number 3, Fall 2010