In this Issue

Table of Contents

An Unknown Autograph of Harpsichord Music by William Croft

Andrew Woolley
pp. 149-170
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'The Infinite Grace of Jesus': Massenet's 'Marie-Magdeleine' and Tchaikovsky's Blessed Tears

Esti Sheinberg, Marina Ritzarev
pp. 171-197
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The Other in the Mirror, or, Recognizing the Self: Wilde's and Zemlinsky's Dwarf

Sherry D. Lee
pp. 198-223
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The Non-Diegetic Fallacy: Film, Music, and Narrative Space

Ben Winters
pp. 224-244
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Quellen des gregorianischen Chorals für das Offizium aus dem Kloster St. Ulrich und Afra Augsburg (review)

Pieter Mannaerts
pp. 245-248
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The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music (review)

John Caldwell
pp. 248-251
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Studien zur mittelalterlichen Dreistimmigkeit (review)

Thomas Schmidt-Beste
pp. 251-253
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Dance in the Renaissance: European Fashion, French Obsession (review)

Yvonne Kendall
pp. 253-256
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The Triumph of Pleasure: Louis XIV and the Politics of Spectacle (review)

Don Fader
pp. 256-259
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The Gaze of the Listener: English Representations of Domestic Music-Making (review)

Linda Phyllis Austern
pp. 259-261
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Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy (review)

Marita Petzoldt McClymonds
pp. 261-263
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Magic Flutes and Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theatre (review)

Nicholas Till
pp. 263-266
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Roman Catholic Church Music in England, 1791–1914: A Handmaid of the Liturgy? (review)

Nicholas Temperley
pp. 266-268
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Form, Program, and Metaphor in the Music of Berlioz (review)

Francesca Brittan
pp. 268-271
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Thematic and Bibliographical Catalogue of P. I. Tchaikovsky's (P. I. Čajkovskij's) Works (review)

Philip Ross Bullock
pp. 271-273
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Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich (review)

David Fanning
pp. 274-275
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Writing through Music: Essays on Music, Culture, and Politics (review)

Arnold Whittall
pp. 275-277
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Richard Strauss-Blätter, and: Die Aufführungen der Opern von Richard Strauss im 20. Jahrhundert, i: Daten, Inszenierungen, Besetzungen (review)

David Larkin
pp. 277-280
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A Charles Ives Omnibus, and: Selected Correspondence of Charles Ives, and: Charles Ives Reconsidered (review)

David Nicholls
pp. 280-282
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Letters of Ralph Vaughan Williams 1895–1958 (review)

Anthony Barone
pp. 282-288
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Dane Rudhyar: His Music, Thought, and Art (review)

Arnold Whittall
pp. 288-290
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Déodat de Séverac: Musical Identity in Fin de Siècle France (review)

Caroline Potter
pp. 290-291
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The Music of Michael Nyman: Texts, Contexts and Intertexts (review)

Malcolm Miller
pp. 292-295
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Landscapes of the Mind: The Music of John McCabe, and: The Innumerable Dance: The Life and Work of William Alwyn (review)

Edward Venn
pp. 295-297
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Noise/Music: A History (review)

Huw Hallam
pp. 297-299
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A Theory of Musical Narrative (review)

Arnold Whittall
pp. 299-303
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Recipients of 'Music & Letters' Awards

p. 304
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'Music & Letters' Awards

p. 306
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Authors of Articles in this Issue

p. 306
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Books Received

pp. 307-309
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