In this Issue

Table of Contents

A Note from the Guest Editor

Melina Esse
pp. 1-3
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Sarrasine's Failure, Campaspe's Lament: Solo Song and the Ends of Material Reproduction

Michael Markham
pp. 4-41
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Temporary Floods, Eternal Returns: Opera, Technology, and History in Two Films of Alexander Sokurov

Anna Nisnevich
pp. 42-62
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Porn Style?: Space and Time in Live Opera Videos

Emanuele Senici
pp. 63-80
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Don't Look Now: Opera, Liveness, and the Televisual

Melina Esse
pp. 81-95
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Digital Diva: Opera on Video

Christopher Morris
pp. 96-119
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Notes from the Stage

Boris Godunov at the Interstices of Opera and Film

Robert Bird
pp. 120-121
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Lighting Boris Godunov with Andrei Tarkovsky

Robert Bryan
pp. 122-128
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Reviews

Performance

The Stuttgart Ring on DVD: A Review Portfolio

pp. 129-130
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Everyday Totalitarianism: Reflections on the Stuttgart Ring

Andrew Moravcsik
pp. 131-148
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The Stuttgart Ring

Mike Ashman
pp. 149-151
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Stuttgart Opera's Der Ring Des Nibelungen on DVD

Anna Papaeti
pp. 152-166
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Modest Musorgsky: Boris Godunov

Robert Bird
pp. 167-174
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Scholarship

The Total Work of Art: From Bayreuth to Cyberspace (review)

David Roberts
pp. 175-177
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