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In this Issue

Table of Contents

  1. A Note from the Guest Editor
  2. Melina Esse
  3. pp. 1-3
  4. restricted access
  1. Sarrasine's Failure, Campaspe's Lament: Solo Song and the Ends of Material Reproduction
  2. Michael Markham
  3. pp. 4-41
  4. restricted access
  1. Temporary Floods, Eternal Returns: Opera, Technology, and History in Two Films of Alexander Sokurov
  2. Anna Nisnevich
  3. pp. 42-62
  4. restricted access
  1. Porn Style?: Space and Time in Live Opera Videos
  2. Emanuele Senici
  3. pp. 63-80
  4. restricted access
  1. Don't Look Now: Opera, Liveness, and the Televisual
  2. Melina Esse
  3. pp. 81-95
  4. restricted access
  1. Digital Diva: Opera on Video
  2. Christopher Morris
  3. pp. 96-119
  4. restricted access
  1. Boris Godunov at the Interstices of Opera and Film
  2. Robert Bird
  3. pp. 120-121
  4. restricted access
  1. Lighting Boris Godunov with Andrei Tarkovsky
  2. Robert Bryan
  3. pp. 122-128
  4. restricted access
  1. The Stuttgart Ring on DVD: A Review Portfolio
  3. pp. 129-130
  4. restricted access
  1. Everyday Totalitarianism: Reflections on the Stuttgart Ring
  2. Andrew Moravcsik
  3. pp. 131-148
  4. restricted access
  1. The Stuttgart Ring
  2. Mike Ashman
  3. pp. 149-151
  4. restricted access
  1. Stuttgart Opera's Der Ring Des Nibelungen on DVD
  2. Anna Papaeti
  3. pp. 152-166
  4. restricted access
  1. Modest Musorgsky: Boris Godunov
  2. Robert Bird
  3. pp. 167-174
  4. restricted access
  1. The Total Work of Art: From Bayreuth to Cyberspace (review)
  2. David Roberts
  3. pp. 175-177
  4. restricted access