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In this Issue

Table of Contents

  1. Editor's Column
  2. Neil Rhodes, Chris Jones
  3. DOI: https://doi.org/10.1353/ort.0.0037
  4. restricted access
  1. Sound Effects: The Oral/Aural Dimensions of Literature in English: Introduction
  2. Neil Rhodes, Chris Jones
  3. DOI: https://doi.org/10.1353/ort.0.0042
  4. restricted access
  1. The Word Made Flesh: Christianity and Oral Culture in Anglo-Saxon Verse
  2. Andy Orchard
  3. DOI: https://doi.org/10.1353/ort.0.0047
  4. restricted access
  1. The Trumpet and the Wolf: Noises of Battle in Old English Poetry
  2. Alice Jorgensen
  3. DOI: https://doi.org/10.1353/ort.0.0051
  4. restricted access
  1. Mulcaster's Tyrant Sound
  2. John Wesley
  3. DOI: https://doi.org/10.1353/ort.0.0055
  4. restricted access
  1. Shakespeare's Sound Government: Sound Defects, Polyglot Sounds, and Sounding Out
  2. Patricia Parker
  3. DOI: https://doi.org/10.1353/ort.0.0059
  4. restricted access
  1. On Speech, Print, and New Media: Thomas Nashe and Marshall McLuhan
  2. Neil Rhodes
  3. DOI: https://doi.org/10.1353/ort.0.0036
  4. restricted access
  1. James Macpherson's Ossian Poems, Oral Traditions, and the Invention of Voice
  2. James Mulholland
  3. DOI: https://doi.org/10.1353/ort.0.0040
  4. restricted access
  1. Theorizing Orality and Performance in Literary Anecdote and History: Boswell's Diaries
  2. Dianne Dugaw
  3. DOI: https://doi.org/10.1353/ort.0.0045
  4. restricted access
  1. Written Composition and (Mem)oral Decomposition: The Case of "The Suffolk Tragedy"
  2. Tom Pettitt
  3. DOI: https://doi.org/10.1353/ort.0.0049
  4. restricted access
  1. Sites of Sound
  2. Bruce Johnson
  3. DOI: https://doi.org/10.1353/ort.0.0053
  4. restricted access
  1. Joyce's Noises
  2. Derek Attridge
  3. DOI: https://doi.org/10.1353/ort.0.0057
  4. restricted access
  1. Where Now the Harp? Listening for the Sounds of Old English Verse, from Beowulf to the Twentieth Century
  2. Chris Jones
  3. DOI: https://doi.org/10.1353/ort.0.0034
  4. restricted access
  1. Sounding Out Homer: Christopher Logue's Acoustic Homer
  2. Emily Greenwood
  3. DOI: https://doi.org/10.1353/ort.0.0038
  4. restricted access
  1. About the Authors
  3. DOI: https://doi.org/10.1353/ort.0.0043
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