1. Editorial
  2. Drake Stutesman
  3. pp. 5-6
  4. DOI: 10.1353/frm.0.0060
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  1. Proper Corruption: Index and Metaphor in Photographs of the Embalmed Corpse of Eva Perón
  2. Margaret Schwartz
  3. pp. 7-32
  4. DOI: 10.1353/frm.0.0062
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  1. Queer Coupling, or the Stain of the Bearded Woman
  2. Ara Osterweil
  3. pp. 33-60
  4. DOI: 10.1353/frm.0.0054
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  1. Connectivity: An Interview with Susan Meiselas
  2. Drake Stutesman
  3. pp. 61-78
  4. DOI: 10.1353/frm.0.0056
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  1. The Good Fight: The Spanish Civil War and U.S. Left Film Criticism
  2. Christopher Robé
  3. pp. 79-107
  4. DOI: 10.1353/frm.0.0057
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  1. Goyescas: Picturing Defiance and Consent in Early Francoist Cinema
  2. Gerard Dapena
  3. pp. 108-128
  4. DOI: 10.1353/frm.0.0058
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  1. The Garbage Man: An Interview with Eduardo Coutinho
  2. Marilia Martins
  3. pp. 129-133
  4. DOI: 10.1353/frm.0.0059
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  1. Flesh for the Author: Filmic Presence in the Documentaries of Eduardo Coutinho
  2. Cecilia Sayad
  3. pp. 134-150
  4. DOI: 10.1353/frm.0.0061
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  1. Sophistication under Construction: Oscar Micheaux's Infamous Sound Films
  2. J. Ronald Green
  3. pp. 151-163
  4. DOI: 10.1353/frm.0.0063
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  1. Berlin Year Zero: The Making of The Blue Angel
  2. John Baxter
  3. pp. 164-189
  4. DOI: 10.1353/frm.0.0055
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