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In this Issue

Table of Contents

  1. Arts | Humanities | Complex Networks
  2. Maximilian Schich, Isabel Meirelles, Albert-László Barabási
  3. p. 212
  4. restricted access
  1. Many Faces: Reimagining the Moon
  2. Sundar Sarukkai
  3. pp. 216-217
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  1. Cinderella Lunar Mission: Everyone Has a Chance to Set Foot on the Moon
  2. Danqing Shi
  3. pp. 218-222
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  1. Moon Music: A Composition of Art and Science in Dialogue
  2. Edvin Østergaard
  3. pp. 223-229
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  1. Form, Grace and Stark Logic: 30 Years of Algorithmic Drawing
  2. Roman Verostko
  3. pp. 230-231
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  1. Lynn Hershman Leeson in Conversation with Gabriella Giannachi
  2. Lynn Hershman Leeson, Gabriella Giannachi
  3. pp. 232-233
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  1. Color Plate
  2. pp. 235-242
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  1. Re-Animating Greg Lynn's Embryological House: A Case Study in Digital Design Preservation
  2. Lawrence Bird, Guillaume LaBelle
  3. pp. 243-249
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  1. The Crystal Interface in Contemporary Art: Metaphors of the Organic and Inorganic
  2. Mark A. Cheetham
  3. pp. 250-256
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  1. building_space_with_words: An Interactive Multimedia Installation Exploring the Relationship between Physical and Virtual Space
  2. Anne-Laure Fayard, Aileen Wilson
  3. pp. 257-262
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  1. The Electric Retina: An Interplay of Media Art and Neuroscience
  2. Corinne Hodel, Stephan C.F. Neuhauss, Jill Scott
  3. pp. 263-268
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  1. The Current Emphasis on Science and Technology in Nigeria: Dilemmas for Art Education
  2. I.B. Kashim, O.S. Adelabu
  3. pp. 269-273
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  1. Perceptual Disruption and Composure in Bridget Riley's Fall
  2. Gert J. van Tonder
  3. pp. 283-288
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  1. Andre Lwoff: A Man of Two Cultures
  2. Robert Root-Bernstein
  3. pp. 289-290
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  1. Bill Viola in Conversation with Adam Weinberg, 27 October 2009, The Whitney Museum's 2009 Annenberg Lecture (review)
  2. Giovanna Costantini
  3. p. 291
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  1. Everyday Creativity: Shared Languages & Collective Action (review)
  2. Amy Ione
  3. pp. 292-293
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  1. Ex-foliations: Reading Machines and the Upgrade Path (review)
  2. Dene Grigar
  3. pp. 293-294
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  1. Digital Contagions: A Media Archaeology of Computer Viruses (review)
  2. Anthony Enns
  3. pp. 294-295
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  1. Sonic Mediations: Body Sound Technology (review)
  2. John F. Barber
  3. pp. 295-296
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  1. Bits of Life: Feminism at the Intersections of Media, Bioscience, and Technology (review)
  2. Maureen Nappi
  3. pp. 296-297
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  1. Camoupedia—A Compendium of Research on Art, Architecture and Camouflage (review)
  2. Mike Leggett
  3. pp. 297-298
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  1. Otaku: Japan's Database Animals (review)
  2. Michael R. (Mike) Mosher
  3. pp. 298-299
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  1. Invisible Vision: Could Science Learn from the Arts? (review)
  2. Stephen Wilson
  3. pp. 299-300
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  1. And While I Have Been Lying Here Perfectly Still: The Saskia Olde Wolbers Files (review)
  2. Rob Harle
  3. p. 300
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  1. Art for a Modern India, 1947–1980 (review)
  2. Aparna Sharma
  3. pp. 300-301
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  1. Digital Material: Tracing New Media in Everyday Life and Technology (review)
  2. Jan Baetens
  3. pp. 301-302
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  1. Speclab: Digital Aesthetics and Projects in Speculative Computing (review)
  2. Martha Patricia Niño Mojica
  3. pp. 302-303
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  1. Leonardo Reviews On-Line
  2. pp. 303-304
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  1. Transactions
  2. Ernest Edmonds
  3. p. 305
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  1. Creating Special Visual Effects with Moiré Patterns in Stereoscopic 3D and 4D Computed Tomographic Art
  2. Kai-hung Fung
  3. pp. 306-307
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  1. Emotion Gesture Art
  2. Eunjung Han, Chee-Onn Wong, Keechul Jung, Kyung Ho Lee
  3. pp. 308-309
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  1. Cry of Nature: A Plant Interfaces with the World Using Music
  2. Bugra Karabey
  3. pp. 310-311
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  1. Tracing Moments
  2. Jen Seevinck
  3. pp. 312-313
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  1. Exploring the Method of Hypothetical Artwork Modelling: Case of the Primary Colours Fallacy
  2. Jurij Selan
  3. pp. 314-315
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  1. Leonardo Network News
  2. pp. 316-317
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  1. Scientific Thought and Poetic Craft: Seeking New Imagery and Vision to Involve the American Scholar
  2. Jared R.W. Smith
  3. pp. 318-321
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