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Table of Contents

  1. Barrett Browning's Poetic Vocation: Crying, Singing, Breathing
  2. Steve Dillon
  3. pp. 509-532
  4. DOI: https://doi.org/10.1353/vp.2001.0041
  5. restricted access
  1. "In Silence Like to Death": Elizabeth Barrett's Sonnet Turn
  2. Amy Christine Billone
  3. pp. 533-550
  4. DOI: https://doi.org/10.1353/vp.2001.0037
  5. restricted access
  1. Sacred and Legendary Artists: Anna Jameson and Barrett Browning in the Hagiography of Pompilia
  2. Charles LaPorte
  3. pp. 551-572
  4. DOI: https://doi.org/10.1353/vp.2001.0043
  5. restricted access
  1. "Doing battle with forgotten ghosts": Carnival, Discourse, and Degradation in Tennyson's The Princess
  2. Lindal Buchanan
  3. pp. 573-595
  4. DOI: https://doi.org/10.1353/vp.2001.0039
  5. restricted access
  1. Ten Journeys to the Venusberg: Morris' Drafts for "The Hill of Venus"
  2. Florence Saunders Boos
  3. pp. 597-612
  4. DOI: https://doi.org/10.1353/vp.2001.0038
  5. restricted access
  1. A Note on Hopkins' Plough in "The Windhover"
  2. Peter Whiteford
  3. pp. 617-620
  4. DOI: https://doi.org/10.1353/vp.2001.0045
  5. restricted access
  1. A Shorter Shirazad: 101 Poems of Michael Field, and: Music and Silence: The Gamut of Michael Field, and: The Michael Field Catalogue: A Book of Lists (review)
  2. Dorothy Mermin
  3. pp. 621-626
  4. DOI: https://doi.org/10.1353/vp.2001.0044
  5. restricted access
  1. Hopkins' Chiasmus: Stanza 1 of "The Wreck of the Deutschland" (reprinted article)
  2. Paul Gorman Beidler
  3. pp. 627-643
  4. DOI: https://doi.org/10.1353/vp.2001.0036
  5. restricted access
  1. Errata
  3. p. 646
  4. DOI: https://doi.org/10.1353/vp.2001.0042
  5. restricted access
  1. Contributors
  3. p. 645
  4. DOI: https://doi.org/10.1353/vp.2001.0040
  5. restricted access