In this Issue

Table of Contents

The Burlador and the Burlados: A Sinister Connection

Raymond Conlon
pp. 5-22
DOI: https://doi.org/10.1353/boc.1990.0015
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Classical Spanish Drama on the Contemporary French Stage

Phyllis Zatlin
pp. 23-33
DOI: https://doi.org/10.1353/boc.1990.0020
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Desire and the Supplement in La estatua de Prometeo

William R. Blue
pp. 35-52
DOI: https://doi.org/10.1353/boc.1990.0026
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By Love Dispossessed: Comic Pharmacology in Calderón's Antes que todo es mi dama

Robert ter Horst
pp. 53-91
DOI: https://doi.org/10.1353/boc.1990.0014
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Un breve olor de corte para La noche de San Juan, de Lope

Luis Caparrós Esperante
pp. 93-117
DOI: https://doi.org/10.1353/boc.1990.0017
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Milking the Machine: The Aesthetics of Formula in Calderón

L. Carl Johnson
pp. 119-127
DOI: https://doi.org/10.1353/boc.1990.0019
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Metatheater and World View in Lope's El divino africano

Thomas E. Case
pp. 129-142
DOI: https://doi.org/10.1353/boc.1990.0022
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Tener voz y dar voces en una audiencia: Dos discursos procesales en Fuenteovejuna

Julio Baena
pp. 143-154
DOI: https://doi.org/10.1353/boc.1990.0024
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The Queens' Encounter. The Mary Stuart Anachronism in Dramas by Diamante, Boursault. Schiller and Donizetti (review)

Ann L. Mackenzie
pp. 155-157
DOI: https://doi.org/10.1353/boc.1990.0025
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Renaissance Drama in England and Spain: Topical Allusion and History (review)

Edward Friedman
pp. 157-159
DOI: https://doi.org/10.1353/boc.1990.0013
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The Legend of Bernardo del Carpio From Chronicle to Drama (review)

Randall W. Listerman
pp. 160-161
DOI: https://doi.org/10.1353/boc.1990.0016
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Gil Vicente and the Development of the Comedia (review)

Jack H. Parker
pp. 161-163
DOI: https://doi.org/10.1353/boc.1990.0018
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Plays and Playhouses in Imperial Decadence (review)

James A. Parr
pp. 163-165
DOI: https://doi.org/10.1353/boc.1990.0021
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El Mentidero de Comediantes

John J. Allen
p. 167
DOI: https://doi.org/10.1353/boc.1990.0023
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