1. The Poetics of the Working Classes
  2. Florence Saunders Boos
  3. pp. 103-109
  4. DOI: 10.1353/vp.2001.0008
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  1. Poetic Agency: Metonymy and Metaphor in Chartist Poetry 1838-1852
  2. Michael Sanders
  3. pp. 111-135
  4. DOI: 10.1353/vp.2001.0019
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  1. Slaves in Heaven, Laborers in Hell: Chartist Poets' Ambivalent Identification with the (Black) Slave
  2. Kelly J. Mays
  3. pp. 137-163
  4. DOI: 10.1353/vp.2001.0013
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  1. Sedition, Chartism, and Epic Poetry in Thomas Cooper's The Purgatory of Suicides
  2. Stephanie Kuduk
  3. pp. 165-186
  4. DOI: 10.1353/vp.2001.0012
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  1. "In louring Hindostan": Chartism and Empire in Ernest Jones's The New World, A Democratic Poem
  2. Ronald Paul
  3. pp. 189-204
  4. DOI: 10.1353/vp.2001.0016
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  1. Class and Poetic Communities: The Works of Ellen Johnston, "The Factory Girl"
  2. Judith Rosen
  3. pp. 207-227
  4. DOI: 10.1353/vp.2001.0018
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  1. Of "Haymakers" and "City Artisans": The Chartist Poetics of Eliza Cook's Songs of Labor
  2. Solveig C. Robinson
  3. pp. 229-253
  4. DOI: 10.1353/vp.2001.0017
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  1. The "Homely Muse" in Her Diurnal Setting: The Periodical Poems of "Marie," Janet Hamilton, and Fanny Forrester
  2. Florence Saunders Boos
  3. pp. 255-285
  4. DOI: 10.1353/vp.2001.0009
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  1. "Eawr Folk": Language, Class, and English Identity in Victorian Dialect Poetry
  2. Larry McCauley
  3. pp. 287-300
  4. DOI: 10.1353/vp.2001.0014
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  1. Ebenezer Elliott and the Reconstruction of Working-Class Masculinity
  2. Alexis Easley
  3. pp. 303-318
  4. DOI: 10.1353/vp.2001.0011
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  1. "Every Man Who Is Hanged Leaves a Poem": Criminal Poets in Victorian Street Ballads
  2. Ellen L. O'Brien
  3. pp. 319-339
  4. DOI: 10.1353/vp.2001.0015
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  1. Contributors
  2. pp. 343-344
  3. DOI: 10.1353/vp.2001.0010
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