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Table of Contents

  1. Recollections of Juan de Mena in Lope de Vega's Viuda, casada y doncella
  2. Donald McGrady, Ronna Feit
  3. pp. 7-11
  4. DOI: https://doi.org/10.1353/boc.1993.0025
  5. restricted access
  1. "Juegos de lenguaje" en La dama duende
  2. María Soledad Fernández Utrera
  3. pp. 13-28
  4. DOI: https://doi.org/10.1353/boc.1993.0031
  5. restricted access
  1. Playing Calderón: Tracing a Play's Receptive Frame
  2. Isaac Benabu
  3. pp. 29-40
  4. DOI: https://doi.org/10.1353/boc.1993.0001
  5. restricted access
  1. Amón: The Psychology of a Rapist
  2. Raymond Conlon
  3. pp. 41-52
  4. DOI: https://doi.org/10.1353/boc.1993.0007
  5. restricted access
  1. Tipos de discurso teatral en el Entremés de los negros de Simón Aguado
  2. María E. Castro de Moux
  3. pp. 53-66
  4. DOI: https://doi.org/10.1353/boc.1993.0013
  5. restricted access
  1. Secuencias calderonianas de capa y espada: ¿"Sucesos caseros"?
  2. David J. Hildner
  3. pp. 67-75
  4. DOI: https://doi.org/10.1353/boc.1993.0018
  5. restricted access
  1. Una nota adicional acerca de "Pues el delito mayor del hombre es haber nacido"
  2. Clark Colahan, Alfred Rodríguez
  3. pp. 77-80
  4. DOI: https://doi.org/10.1353/boc.1993.0023
  5. restricted access
  1. Loving Parents or Cruel Jailers?: Towards an Understanding of Calderón's Basilio and Liríope
  2. Darci L. Strother
  3. pp. 81-92
  4. DOI: https://doi.org/10.1353/boc.1993.0029
  5. restricted access
  1. García's Love Melancholy and the Banquet Scene in Ruiz de Alarcón's La verdad sospechosa
  2. Ricardo Castells
  3. pp. 93-101
  4. DOI: https://doi.org/10.1353/boc.1993.0035
  5. restricted access
  1. La Estrella de Sevilla as a Mirror of the Courtly Scene—and of its Anonymous Dramatist (Luis Velez???)
  2. Ruth Lee Kennedy
  3. pp. 104-143
  4. DOI: https://doi.org/10.1353/boc.1993.0011
  5. restricted access
  1. The Electronic Comedia
  2. Matt Stroud
  3. pp. 145-148
  4. DOI: https://doi.org/10.1353/boc.1993.0016
  5. restricted access
  1. Lectura ideológica de Calderón: 'El médico de su honra' (review)
  2. Dian Fox
  3. pp. 149-150
  4. DOI: https://doi.org/10.1353/boc.1993.0021
  5. restricted access
  1. Calderón Dramaturgo (review)
  2. A. J. Valbuena-Briones
  3. pp. 151-152
  4. DOI: https://doi.org/10.1353/boc.1993.0027
  5. restricted access
  1. Comedias y comediantes. Estudios sobre el teatro clásico español (review)
  2. Ricardo Arias
  3. pp. 152-155
  4. DOI: https://doi.org/10.1353/boc.1993.0033
  5. restricted access
  1. The Perception of Women in Spanish Theater of the Golden Age (review)
  2. Alison Weber
  3. pp. 155-157
  4. DOI: https://doi.org/10.1353/boc.1993.0003
  5. restricted access
  1. The Play of Power: Mythological Court Dramas of Calderón de la Barca (review)
  2. Thomas Austin O'Connor
  3. pp. 158-160
  4. DOI: https://doi.org/10.1353/boc.1993.0009
  5. restricted access
  1. Teatros y vida teatral en Tudela: 1563-1750. Estudio y documentos (review)
  2. C. Alan Soons
  3. pp. 160-163
  4. DOI: https://doi.org/10.1353/boc.1993.0014
  5. restricted access
  1. El poliglotismo en el teatro de Lope de Vega (review)
  2. John Lihani
  3. pp. 163-165
  4. DOI: https://doi.org/10.1353/boc.1993.0019
  5. restricted access
  1. Don Gil of the Green Breeches (Don Gil de las calzas verdes) (review)
  2. Michael McGaha
  3. pp. 165-167
  4. DOI: https://doi.org/10.1353/boc.1993.0024
  5. restricted access
  1. Hacia Calderón: Noveno Coloquio Anglogermano (review)
  2. A. Valbuena-Briones
  3. pp. 167-169
  4. DOI: https://doi.org/10.1353/boc.1993.0030
  5. restricted access
  1. After Its Kind: Approaches to the Comedia (review)
  2. James A. Castañeda
  3. pp. 169-171
  4. DOI: https://doi.org/10.1353/boc.1993.0000
  5. restricted access
  1. Preface to "La Estrella de Sevilla as a Mirror of the Courtly Scene—and of Its Anonymous Dramatist (Luis Velez???)"
  2. C. George Peale
  3. p. 103
  4. DOI: https://doi.org/10.1353/boc.1993.0005
  5. restricted access