In this Issue

Table of Contents

Recollections of Juan de Mena in Lope de Vega's Viuda, casada y doncella

Donald McGrady, Ronna Feit
pp. 7-11
DOI: https://doi.org/10.1353/boc.1993.0025
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"Juegos de lenguaje" en La dama duende

María Soledad Fernández Utrera
pp. 13-28
DOI: https://doi.org/10.1353/boc.1993.0031
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Playing Calderón: Tracing a Play's Receptive Frame

Isaac Benabu
pp. 29-40
DOI: https://doi.org/10.1353/boc.1993.0001
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Amón: The Psychology of a Rapist

Raymond Conlon
pp. 41-52
DOI: https://doi.org/10.1353/boc.1993.0007
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Tipos de discurso teatral en el Entremés de los negros de Simón Aguado

María E. Castro de Moux
pp. 53-66
DOI: https://doi.org/10.1353/boc.1993.0013
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Secuencias calderonianas de capa y espada: ¿"Sucesos caseros"?

David J. Hildner
pp. 67-75
DOI: https://doi.org/10.1353/boc.1993.0018
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Una nota adicional acerca de "Pues el delito mayor del hombre es haber nacido"

Clark Colahan, Alfred Rodríguez
pp. 77-80
DOI: https://doi.org/10.1353/boc.1993.0023
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Loving Parents or Cruel Jailers?: Towards an Understanding of Calderón's Basilio and Liríope

Darci L. Strother
pp. 81-92
DOI: https://doi.org/10.1353/boc.1993.0029
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García's Love Melancholy and the Banquet Scene in Ruiz de Alarcón's La verdad sospechosa

Ricardo Castells
pp. 93-101
DOI: https://doi.org/10.1353/boc.1993.0035
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La Estrella de Sevilla as a Mirror of the Courtly Scene—and of its Anonymous Dramatist (Luis Velez???)

Ruth Lee Kennedy
pp. 104-143
DOI: https://doi.org/10.1353/boc.1993.0011
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The Electronic Comedia

Matt Stroud
pp. 145-148
DOI: https://doi.org/10.1353/boc.1993.0016
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Lectura ideológica de Calderón: 'El médico de su honra' (review)

Dian Fox
pp. 149-150
DOI: https://doi.org/10.1353/boc.1993.0021
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Calderón Dramaturgo (review)

A. J. Valbuena-Briones
pp. 151-152
DOI: https://doi.org/10.1353/boc.1993.0027
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Comedias y comediantes. Estudios sobre el teatro clásico español (review)

Ricardo Arias
pp. 152-155
DOI: https://doi.org/10.1353/boc.1993.0033
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The Perception of Women in Spanish Theater of the Golden Age (review)

Alison Weber
pp. 155-157
DOI: https://doi.org/10.1353/boc.1993.0003
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The Play of Power: Mythological Court Dramas of Calderón de la Barca (review)

Thomas Austin O'Connor
pp. 158-160
DOI: https://doi.org/10.1353/boc.1993.0009
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Teatros y vida teatral en Tudela: 1563-1750. Estudio y documentos (review)

C. Alan Soons
pp. 160-163
DOI: https://doi.org/10.1353/boc.1993.0014
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El poliglotismo en el teatro de Lope de Vega (review)

John Lihani
pp. 163-165
DOI: https://doi.org/10.1353/boc.1993.0019
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Don Gil of the Green Breeches (Don Gil de las calzas verdes) (review)

Michael McGaha
pp. 165-167
DOI: https://doi.org/10.1353/boc.1993.0024
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Hacia Calderón: Noveno Coloquio Anglogermano (review)

A. Valbuena-Briones
pp. 167-169
DOI: https://doi.org/10.1353/boc.1993.0030
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After Its Kind: Approaches to the Comedia (review)

James A. Castañeda
pp. 169-171
DOI: https://doi.org/10.1353/boc.1993.0000
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Preface to "La Estrella de Sevilla as a Mirror of the Courtly Scene—and of Its Anonymous Dramatist (Luis Velez???)"

C. George Peale
p. 103
DOI: https://doi.org/10.1353/boc.1993.0005
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