In this Issue

Table of Contents

Refashioning the Maze: The Interplay of Gender and Rank in Cervantes's El laberinto de amor

Ellen M. Anderson
pp. 165-185
DOI: https://doi.org/10.1353/boc.1994.0032
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Parody, Gender and Dress in Lope's La doncella Teodor

Thomas E. Case
pp. 187-206
DOI: https://doi.org/10.1353/boc.1994.0004
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Disguised Discourse: Emblems in Lope de Vega's El castigo sin venganza

Christine D. Martínez
pp. 207-217
DOI: https://doi.org/10.1353/boc.1994.0009
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Agustín Moreto y Cabaña: A Transitional Playwright and His Heroines

Hilda Rissel
pp. 219-228
DOI: https://doi.org/10.1353/boc.1994.0014
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El acierto en el engaño y robador de su honra de Luis de Belmonte Bermüdez: comedia inédita del siglo XVII

Antonio Cortijo Ocaña
pp. 229-255
DOI: https://doi.org/10.1353/boc.1994.0020
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From Crónica to Comedia: Catholic Evangelization and Indigenous Oral Traditions in the Inca Garcilaso and Calderón

Ricardo Castells
pp. 257-271
DOI: https://doi.org/10.1353/boc.1994.0026
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The Don Juan Theme. An Annotated Bibliography of Versions, Analogues, Uses, and Adaptations (review)

David T. Gies
pp. 273-274
DOI: https://doi.org/10.1353/boc.1994.0030
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De la comedia humanística al teatro representable (review)

Charles F. Fraker
pp. 275-277
DOI: https://doi.org/10.1353/boc.1994.0002
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The Novelist as Playwright: Cervantes and the Entremés nuevo (review)

Barbara F. Weissberger
pp. 277-278
DOI: https://doi.org/10.1353/boc.1994.0007
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Miguel de Cervantes' Interludes/Entremeses (review)

Cory A. Reed
pp. 279-281
DOI: https://doi.org/10.1353/boc.1994.0012
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Bibliography of Publications on the Comedia (1993-1994)

Szilvia E. Szmuk, Cory A. Reed, David H. Darst, Lidia Gutierrez Arranz, Eduardo Herranz Calle, German Vega Garcia-Luengos, John J. Reynolds, Ann L. Mackenzie, Jose Maria Ruano De La Haza, Agustin De La Granja
pp. 283-358
DOI: https://doi.org/10.1353/boc.1994.0018
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Index

pp. 359-369
DOI: https://doi.org/10.1353/boc.1994.0024
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