In this Issue

Table of Contents

La Comedia at the Border: Francisco Manuel de Melo's O Fidalgo Aprendiz

Edward H. Friedman
pp. 5-14
DOI: https://doi.org/10.1353/boc.1997.0001
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Mal de amor y alteridad en un texto de Sor Juana: El Divino Narciso Reescribe a Calderón

Viviana Díaz Balsera
pp. 15-33
DOI: https://doi.org/10.1353/boc.1997.0004
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Awakening from the Dream: Calderón and the Perennial Philosophy

Michael Bradburn-Ruster
pp. 35-54
DOI: https://doi.org/10.1353/boc.1997.0007
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Religion and Politics in Felipe Godínez's El divino Isaac

Ted Parks
pp. 55-66
DOI: https://doi.org/10.1353/boc.1997.0010
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Calderón, Antes que todo es mi dama, y los vínculos de la amistad

Bernard P. E. Bentley
pp. 67-88
DOI: https://doi.org/10.1353/boc.1997.0013
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The Golden Age Playgoing Public: From the Highest to the Lowest?

Jane W. Albrecht
pp. 89-96
DOI: https://doi.org/10.1353/boc.1997.0016
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El moro retador y el moro amigo (Estudios sobre fiestas y comedias de moros y cristianos) (review)

John J. Reynolds
pp. 97-98
DOI: https://doi.org/10.1353/boc.1997.0000
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La fundadora de la Santa Concepción. Comedia en dos partes (review)

Robert R. Morrison
pp. 99-101
DOI: https://doi.org/10.1353/boc.1997.0003
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Auto Sacramental (review)

Ángel Valbuena-Briones
pp. 101-103
DOI: https://doi.org/10.1353/boc.1997.0006
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Cultural Authority in Golden Age Spain (review)

Barbara Simerka
pp. 103-106
DOI: https://doi.org/10.1353/boc.1997.0009
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Allegories of Kingship: Calderón and the Anti-Machiavellian Tradition (review)

A. Robert Lauer
pp. 106-108
DOI: https://doi.org/10.1353/boc.1997.0012
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Texto y espectáculo: Selected Proceedings of the "Fourteenth International Golden Age Spanish Theatre Symposium" (March 9-12, 1994) at The University of Texas. El Paso (review)

Thomas Austin O'Connor
pp. 109-111
DOI: https://doi.org/10.1353/boc.1997.0015
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El gran teatro de Calderón. Personajes, temas, escenografía (review)

Ricardo Arias
pp. 111-113
DOI: https://doi.org/10.1353/boc.1997.0018
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Three Plays by Moreto and Their Adaptation in France (review)

David H. Darst
pp. 114-115
DOI: https://doi.org/10.1353/boc.1997.0002
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The Perfect King/El rey más perfecto (review)

Glen F. Dille
pp. 115-117
DOI: https://doi.org/10.1353/boc.1997.0005
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Feminism and the Honor Plays of Lope de Vega (review)

Valerie Hegstrom
pp. 117-119
DOI: https://doi.org/10.1353/boc.1997.0008
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El Chamizal, 1997

Kenneth A. Stackhouse
pp. 121-123
DOI: https://doi.org/10.1353/boc.1997.0011
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Comediantes Banquet

Charles Garelin
pp. 123-124
DOI: https://doi.org/10.1353/boc.1997.0040
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Bibliography of Publications on the Comedia (1995-1996)

Szilvia E. Szmuk, Cory A. Reed, Lidia Gutiérrez Arranz, Eduardo Herranz Calle, Germán Vega García-Luengos, Christine Orobitg, Emmanuelle Garnier, Fausta Antonucci, Stefano Arata, John J. Reynolds, Ann L. Mackenzie, José María Ruano de la Haza, Agustín de la Granja
pp. 125-219
DOI: https://doi.org/10.1353/boc.1997.0014
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Index

pp. 220-231
DOI: https://doi.org/10.1353/boc.1997.0017
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