In this Issue

Table of Contents

Social Roles and Ideology, Dramatic Roles and Theatrical Convention in El gran teatro del mundo

Carroll B. Johnson
pp. 247-272
DOI: https://doi.org/10.1353/boc.1997.0033
restricted access

Mirando de cerca "Mujer, Comedia y pintura" en las obras dramáticas de Lope de Vega y Calderón de la Barca

María Asunción Gómez
pp. 273-293
DOI: https://doi.org/10.1353/boc.1997.0037
restricted access

Las representaciones de El tejedor de Segovia de Juan Ruiz de Alarcón y la Primera Parte dudosa

Kenneth A. Stackhouse
pp. 295-306
DOI: https://doi.org/10.1353/boc.1997.0019
restricted access

The "Strong Woman" in Calderón's Autos: The Exegetical and Iconographic Tradition of the Virgin Immaculate

Nancy K. Mayberry
pp. 307-318
DOI: https://doi.org/10.1353/boc.1997.0022
restricted access

La comedia en colaboración: recursos escénicos y teatralidad en Caer para levantar

Anny Guimont
pp. 319-336
DOI: https://doi.org/10.1353/boc.1997.0025
restricted access

The Play of Race and Gender in Vélez de Guevara's Virtudes vencen señales

Baltasar Fra-Molinero
pp. 337-355
DOI: https://doi.org/10.1353/boc.1997.0028
restricted access

El ingenio en la mujer: La traición en la amistad de María de Zayas entre Lope de Vega y Huarte de San Juan

José A. Rodríguez-Garrido
pp. 357-373
DOI: https://doi.org/10.1353/boc.1997.0031
restricted access

Spanish Comedy and Historical Contexts in the 1620s (review)

Marcia L. Welles
pp. 375-377
DOI: https://doi.org/10.1353/boc.1997.0035
restricted access

El burlador de Sevlla y convidado de piedra (review)

William R. Blue
pp. 377-378
DOI: https://doi.org/10.1353/boc.1997.0039
restricted access

El arte nuevo de estudiar comedias: Literary Theory and Golden Age Drama (review)

Barbara E. Kurtz
pp. 378-380
DOI: https://doi.org/10.1353/boc.1997.0021
restricted access

The Play in the Mirror: Lacanian Perspectives on Spanish Baroque Theater (review)

Christopher B. Weimer
pp. 380-383
DOI: https://doi.org/10.1353/boc.1997.0024
restricted access

El Otomano famoso (o la famosa comedia otomana) (review)

Nancy Mayberry
pp. 383-384
DOI: https://doi.org/10.1353/boc.1997.0027
restricted access

Heavenly Bodies. The Realms of 'La estrella de Sevilla' (review)

Elizabeth Teresa Howe
pp. 384-386
DOI: https://doi.org/10.1353/boc.1997.0030
restricted access

Canonical States, Canonical Stages: Oedipus, Othering, and Seventeenth-Century Drama (review)

Christopher B. Weimer
pp. 386-388
DOI: https://doi.org/10.1353/boc.1997.0034
restricted access

Anuario Lope de Vega, I (review)

Willard King
pp. 388-390
DOI: https://doi.org/10.1353/boc.1997.0038
restricted access

La quinta de Florencia. A Critical (review)

Carol Kirby
pp. 391-394
DOI: https://doi.org/10.1353/boc.1997.0020
restricted access

Texto y espectáculo. Proceedings of the Fifteenth International Golden Age Spanish Teatre Symposium (March 8-11, 1995) at The University of Texas, El Paso (review)

David H. Darst
pp. 394-395
DOI: https://doi.org/10.1353/boc.1997.0023
restricted access

Negotiating Past and Present. Studies in Spanish Literature for Javier Herrero (review)

Alan Soons
pp. 396-402
DOI: https://doi.org/10.1353/boc.1997.0026
restricted access

Biblioarafía crítica comentada de 'La vida es sueño' (1682-1994) (review)

A. Julián Valbuena-Briones
pp. 402-404
DOI: https://doi.org/10.1353/boc.1997.0029
restricted access

The Calderonian Stage Body and Soul (review)

Elizabeth Teresa Hose
pp. 404-406
DOI: https://doi.org/10.1353/boc.1997.0032
restricted access

Hannah E. Bergman Publications and Presentations

Szilvia E. Szmuk
pp. 407-412
DOI: https://doi.org/10.1353/boc.1997.0036
restricted access