In this Issue

Table of Contents

Beyond Performance: Cervantes's Algerian Plays, El trato de Argel and Los baños de Argel

Kenneth A. Stackhouse
pp. 7-30
DOI: https://doi.org/10.1353/boc.2000.0014
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"And these be the fruits of plays": Sexuality in La casa de los celos y selvas de Ardenia

Iluminada Amat
pp. 31-51
DOI: https://doi.org/10.1353/boc.2000.0018
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Cervantes's Critique of Verisimilitude as Intertext for the "New Comedy"

Vincent Martin
pp. 53-66
DOI: https://doi.org/10.1353/boc.2000.0022
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De caricaturas y figurones: El lindo don Diego de Moreto

David Gómez Torres
pp. 67-83
DOI: https://doi.org/10.1353/boc.2000.0003
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Comedia Texts as Political Propaganda in Castro's Cuba

Carol Bingham Kirby, Steven D. Kirby
pp. 85-92
DOI: https://doi.org/10.1353/boc.2000.0006
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The Wallenstein Play of Calderón and Coello, Las proezas de Frislán, y muerte del Rey de Suecia [?] (1634): Conjectural Reconstruction

Henry W. Sullivan
pp. 93-111
DOI: https://doi.org/10.1353/boc.2000.0009
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Reassessing the Nahua Autos: A Propos of Jerry M. Williams's El teatro del México colonial: Época misionera

Charlotte Stern
pp. 113-165
DOI: https://doi.org/10.1353/boc.2000.0012
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Stages of Desire: The Mythological Tradition in Classical and Contemporary Spanish Theater (review)

Denise DiPuccio
pp. 167-169
DOI: https://doi.org/10.1353/boc.2000.0016
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The Best Boy in Spain: El mejor mozo de España (review)

Victor Dixon
pp. 170-172
DOI: https://doi.org/10.1353/boc.2000.0020
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Teatro español del Siglo de Oro (review)

Alan Soons
pp. 172-180
DOI: https://doi.org/10.1353/boc.2000.0001
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