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Table of Contents

  1. Beyond Performance: Cervantes's Algerian Plays, El trato de Argel and Los baños de Argel
  2. Kenneth A. Stackhouse
  3. pp. 7-30
  4. DOI: https://doi.org/10.1353/boc.2000.0014
  5. restricted access
  1. "And these be the fruits of plays": Sexuality in La casa de los celos y selvas de Ardenia
  2. Iluminada Amat
  3. pp. 31-51
  4. DOI: https://doi.org/10.1353/boc.2000.0018
  5. restricted access
  1. Cervantes's Critique of Verisimilitude as Intertext for the "New Comedy"
  2. Vincent Martin
  3. pp. 53-66
  4. DOI: https://doi.org/10.1353/boc.2000.0022
  5. restricted access
  1. De caricaturas y figurones: El lindo don Diego de Moreto
  2. David Gómez Torres
  3. pp. 67-83
  4. DOI: https://doi.org/10.1353/boc.2000.0003
  5. restricted access
  1. Comedia Texts as Political Propaganda in Castro's Cuba
  2. Carol Bingham Kirby, Steven D. Kirby
  3. pp. 85-92
  4. DOI: https://doi.org/10.1353/boc.2000.0006
  5. restricted access
  1. The Wallenstein Play of Calderón and Coello, Las proezas de Frislán, y muerte del Rey de Suecia [?] (1634): Conjectural Reconstruction
  2. Henry W. Sullivan
  3. pp. 93-111
  4. DOI: https://doi.org/10.1353/boc.2000.0009
  5. restricted access
  1. Reassessing the Nahua Autos: A Propos of Jerry M. Williams's El teatro del México colonial: Época misionera
  2. Charlotte Stern
  3. pp. 113-165
  4. DOI: https://doi.org/10.1353/boc.2000.0012
  5. restricted access
  1. Stages of Desire: The Mythological Tradition in Classical and Contemporary Spanish Theater (review)
  2. Denise DiPuccio
  3. pp. 167-169
  4. DOI: https://doi.org/10.1353/boc.2000.0016
  5. restricted access
  1. The Best Boy in Spain: El mejor mozo de España (review)
  2. Victor Dixon
  3. pp. 170-172
  4. DOI: https://doi.org/10.1353/boc.2000.0020
  5. restricted access
  1. Teatro español del Siglo de Oro (review)
  2. Alan Soons
  3. pp. 172-180
  4. DOI: https://doi.org/10.1353/boc.2000.0001
  5. restricted access