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Table of Contents

  1. Editor's Note
  2. Edward H. Friedman
  3. p. 247
  4. DOI: https://doi.org/10.1353/boc.2002.0034
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  1. "Con arte se vence todo": Images of the English in Lope de Vega
  2. Robert S. Stone
  3. pp. 249-269
  4. DOI: https://doi.org/10.1353/boc.2002.0040
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  1. Lope de Vega's Drawing of the Monte Stage Set
  2. Patricia Kenworthy
  3. pp. 271-285
  4. DOI: https://doi.org/10.1353/boc.2002.0006
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  1. Entre la esclavitud y el ensalzamiento: La presencia africana en la sociedad y en el teatro del Siglo de Oro español
  2. Olga Barrios
  3. pp. 287-311
  4. DOI: https://doi.org/10.1353/boc.2002.0013
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  1. In the Beginning Was . . . the Word?: Calderón and Conventions of Golden Age Play Beginnings
  2. John T. Cull
  3. pp. 313-337
  4. DOI: https://doi.org/10.1353/boc.2002.0020
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  1. A Question of Values: The Spiritual Education of Segismundo in Calderón's La vida es sueño
  2. E. T. Aylward
  3. pp. 339-372
  4. DOI: https://doi.org/10.1353/boc.2002.0026
  5. restricted access
  1. Calderón's Life Is a Dream: Mapping a Culture of Contingency for the Twenty-first Century
  2. Francisco LaRubia-Prado
  3. pp. 373-405
  4. DOI: https://doi.org/10.1353/boc.2002.0032
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  1. The Marriage of Art and Honor: Anamorphosis and Control in Calderón's La dama duende
  2. Bradley J. Nelson
  3. pp. 407-441
  4. DOI: https://doi.org/10.1353/boc.2002.0038
  5. restricted access
  1. Talking About Talking: Word and Deed in Calderón's El alcalde de Zalamea
  2. Catherine Larson
  3. pp. 443-465
  4. DOI: https://doi.org/10.1353/boc.2002.0003
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  1. The Recreation of a Spanish Playhouse: Segovia's Hospital de la Misericordia
  2. Michael McGrath
  3. pp. 467-476
  4. DOI: https://doi.org/10.1353/boc.2002.0010
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  1. Mentidero: Chamizal 2002
  2. A. Robert Lauer
  3. pp. 477-480
  4. DOI: https://doi.org/10.1353/boc.2002.0017
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