In this Issue

Table of Contents

Editor's Note

Edward H. Friedman
p. 9
DOI: https://doi.org/10.1353/boc.2005.0017
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Clothes Encounters: Revealing and Concealing the Body in Lope's La discreta enamorada

Donald R. Larson
pp. 11-44
DOI: https://doi.org/10.1353/boc.2005.0021
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The Queen's Two Bodies: Sexual Politics in Lope de Vega's La reina Juana de Nápoles

Marcella Salvi
pp. 45-59
DOI: https://doi.org/10.1353/boc.2005.0001
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The Female Voice of Reason in the Plays of Juan Ruiz de Alarcón

Cynthia Leone Halpern
pp. 61-89
DOI: https://doi.org/10.1353/boc.2005.0005
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Alabanza política y crítica literaria en la Tragicomedia de los jardines y campos sabeos de Feliciana Enríquez de Guzmán

Julio Vélez-Sainz
pp. 91-105
DOI: https://doi.org/10.1353/boc.2005.0009
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De orgía y bacanal a sátira política: Entreactos de la segunda parte de Los jardines y campos sabeos de Feliciana Enríquez de Guzmán

M. Reina Ruiz
pp. 107-123
DOI: https://doi.org/10.1353/boc.2005.0012
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Female and Male Mediation in the Plays of Ángela de Azevedo

Christopher D. Gascón
pp. 125-145
DOI: https://doi.org/10.1353/boc.2005.0015
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Symbolic Inversions in Ángela de Azevedo's El muerto disimulado

Darlene Múzquiz-Guerreiro
pp. 147-163
DOI: https://doi.org/10.1353/boc.2005.0019
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Un texto de Lope de Rueda: Madrigalejo, Molina y el Alguacil en el paso cuarto del Registro de representantes

Ignacio Arellano
pp. 165-172
DOI: https://doi.org/10.1353/boc.2005.0023
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Chamizal 2004

A. Robert Lauer
pp. 173-183
DOI: https://doi.org/10.1353/boc.2005.0003
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Festival Internacional de Teatro Clásico de Almagro, 2004

Darci L. Strother
pp. 185-193
DOI: https://doi.org/10.1353/boc.2005.0007
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The Royal Shakespeare Company and the Hispanic Golden Age Season

Susan L. Fischer
pp. 195-203
DOI: https://doi.org/10.1353/boc.2005.0011
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In Tribute to Willard Fahrenkamp King: (July 13, 1924 - November 8, 2004)

Cynthia Leone Halpern
pp. 205-207
DOI: https://doi.org/10.1353/boc.2005.0014
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Feminizing the Enemy: Imperial Spain, Transvestite Drama, and the Crisis of Masculinity (review)

Matthew D. Stroud
pp. 209-211
DOI: https://doi.org/10.1353/boc.2005.0018
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América en el teatro español del Siglo de Oro (review)

Rogelio Miñana
pp. 211-213
DOI: https://doi.org/10.1353/boc.2005.0022
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La creación del "Fénix." Recepción crítica y formación canónica del teatro de Lope de Vega (review)

Francisco Sáez Raposo
pp. 213-215
DOI: https://doi.org/10.1353/boc.2005.0002
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La bella malmaridada o la cortesana (review)

Robert S. Stone
pp. 215-217
DOI: https://doi.org/10.1353/boc.2005.0006
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How the World Became a Stage (review)

Dana Bultman
pp. 217-219
DOI: https://doi.org/10.1353/boc.2005.0010
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Calderón 1600-2000. Jornadas de investigación calderoniana (review)

William Egginton
pp. 219-221
DOI: https://doi.org/10.1353/boc.2005.0013
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Antonio Enríquez Gómez: Un Écrivain Marrane (v. 1600-1663) (review)

Michael McGaha
pp. 221-223
DOI: https://doi.org/10.1353/boc.2005.0016
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Family Matters: A Study of On- and Off-Stage Marriage and Family Relations in Seventeenth-Century Spain (review)

Christopher D. Gascón
pp. 223-225
DOI: https://doi.org/10.1353/boc.2005.0020
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Echoes and Inscriptions: Comparative Approaches to Early Modern Spanish Literatures (review)

Matthew J. Dean
pp. 225-227
DOI: https://doi.org/10.1353/boc.2005.0000
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The Cervantes Encyclopedia (review)

Edward H. Friedman
pp. 227-228
DOI: https://doi.org/10.1353/boc.2005.0004
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Reinventions: Four Plays by Oscar Mandel after Homer, Cervantes, Calderón and Mariveaux (review)

Ivan Fernández Peláez
pp. 229-230
DOI: https://doi.org/10.1353/boc.2005.0008
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