+ MUSE Alert

In this Issue

Table of Contents

  1. Editor's Note
  2. Edward H. Friedman
  3. p. vii
  4. DOI: https://doi.org/10.1353/boc.2008.0010
  5. restricted access
  1. ¿Nobles o villanos?: El discurso metateatral y la identidad social en Valor, fortuna y lealtad de Lope de Vega
  2. Veronika Ryjik
  3. pp. 1-16
  4. DOI: https://doi.org/10.1353/boc.2008.0012
  5. restricted access
  1. Lope de Vega's Peribáñez in Translation French-Colombian Style: Omar Porras's "Masks of Reality" on the Boards of The Comédie-Française
  2. Susan L. Fischer
  3. pp. 17-39
  4. DOI: https://doi.org/10.1353/boc.2008.0008
  5. restricted access
  1. The Paradisal Geography of Tirso's La mujer que manda en casa
  2. Maryrica Ortiz Lottman
  3. pp. 41-55
  4. DOI: https://doi.org/10.1353/boc.2008.0004
  5. restricted access
  1. Gendering America: Women and the American Landscape in Tirso de Molina's Trilogía de los Pizarros
  2. Gwen H. Stickney
  3. pp. 57-76
  4. DOI: https://doi.org/10.1353/boc.2008.0026
  5. restricted access
  1. The Quest for Identity at the Onset of the Age of Reason: Calderón's Hado y divisa de Leonido y Marfisa
  2. Amanda S. Meixell
  3. pp. 77-101
  4. DOI: https://doi.org/10.1353/boc.2008.0021
  5. restricted access
  1. Humor and the Metadiscourse of Control in the Comedia
  2. Ted L. L. Bergman
  3. pp. 103-117
  4. DOI: https://doi.org/10.1353/boc.2008.0006
  5. restricted access
  1. The Performance History of Golden-Age Drama in Spain (1939-2006)
  2. Duncan Wheeler
  3. pp. 119-155
  4. DOI: https://doi.org/10.1353/boc.2008.0002
  5. restricted access

Reviews

  1. A Companion to Golden Age Theatre (review)
  2. Shannon M. Polchow
  3. pp. 157-158
  4. DOI: https://doi.org/10.1353/boc.2008.0020
  5. restricted access
  1. Arte nuevo de hacer comedias (review)
  2. Catherine Connor (Swietlicki)
  3. pp. 159-160
  4. DOI: https://doi.org/10.1353/boc.2008.0016
  5. restricted access
  1. The Woman Saint in Spanish Golden Age Drama (review)
  2. Anthony J. Grubbs
  3. pp. 161-163
  4. DOI: https://doi.org/10.1353/boc.2008.0000
  5. restricted access
  1. Plot Twists and Critical Turns: Queer Approaches to Early Modern Spanish Theater (review)
  2. Dian Fox
  3. pp. 164-165
  4. DOI: https://doi.org/10.1353/boc.2008.0022
  5. restricted access
  1. Los coloquios del Alma: Cuatro dramas alegóricos de Sor Marcela de San Félix, hija de Lope de Vega (review)
  2. Esther Fernández
  3. pp. 166-167
  4. DOI: https://doi.org/10.1353/boc.2008.0024
  5. restricted access
  1. Traducciones, adaptaciones, "scenari" de las comedias de Lope de Vega en Italia en el siglo XVII (review)
  2. Rogelio Miñana
  3. pp. 168-169
  4. DOI: https://doi.org/10.1353/boc.2008.0018
  5. restricted access
  1. La mitología clásica en la literatura española. Panorama diacrónico (review)
  2. Thomas Austin O'Connor
  3. pp. 170-171
  4. DOI: https://doi.org/10.1353/boc.2008.0014
  5. restricted access