1. Tennyson's King Arthur and the Violence of Manliness
  2. Clinton Machann
  3. pp. 199-226
  4. DOI: 10.1353/vp.2000.0019
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  1. Marginalized Musical Interludes: Tennyson's Critique of Conventionality in The Princess
  2. Alisa Clapp-Itnyre
  3. pp. 227-248
  4. DOI: 10.1353/vp.2000.0013
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  1. The Promise of Converting Poets in Robert Browning's "Cleon"
  2. Joseph A. Dupras
  3. pp. 249-268
  4. DOI: 10.1353/vp.2000.0015
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  1. "Neither keeping either under": Gender and Voice in Elizabeth Barrett's The Seraphim
  2. Julie Straight
  3. pp. 269-288
  4. DOI: 10.1353/vp.2000.0022
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  1. The Shadow of the Octoroon in T. E. Brown's Christmas Rose
  2. Max Keith Sutton
  3. pp. 289-298
  4. DOI: 10.1353/vp.2000.0023
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  1. The Negotiation of Power Relations in Gerard Manley Hopkins' "The Wreck of the Deutschland" and Sonnets about Working-Class Men
  2. Jenny Holt
  3. pp. 299-318
  4. DOI: 10.1353/vp.2000.0016
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Book Reviews

  1. Origins of the Monologue: The Hidden God (review)
  2. David G. Riede
  3. pp. 319-323
  4. DOI: 10.1353/vp.2000.0021
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  1. The Letters of Christina Rossetti, Vol. 2. 1874-1881 (review)
  2. David A. Kent
  3. pp. 323-326
  4. DOI: 10.1353/vp.2000.0017
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  1. The Angel in the House, Books I & II (review)
  2. Kerry McSweeney
  3. pp. 326-330
  4. DOI: 10.1353/vp.2000.0020
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Review Essay

  1. Recent Anthologies
  2. David E. Latané
  3. pp. 331-339
  4. DOI: 10.1353/vp.2000.0018
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  1. Contributors
  2. p. 341
  3. DOI: 10.1353/vp.2000.0014
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