1. Unnatural Narratives, Unnatural Narratology: Beyond Mimetic Models
  2. Jan Alber, Stefan Iversen, Henrik Skov Nielsen, Brian Richardson
  3. pp. 113-136
  4. DOI: 10.1353/nar.0.0042
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  1. Exquisite Moments and the Temporality of the Kiss in Mrs. Dalloway and The Hours
  2. Kate Haffey
  3. pp. 137-162
  4. DOI: 10.1353/nar.0.0043
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  1. Rebellious Identification, or, How I Learned to Stop Worrying and Love Arabella
  2. Lesley Goodman
  3. pp. 163-178
  4. DOI: 10.1353/nar.0.0044
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  1. Between Fact and Fiction: The Nature of Events in Joyce and Beckett
  2. Ruben Borg
  3. pp. 179-198
  4. DOI: 10.1353/nar.0.0045
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  1. On the Borders of the Page, on the Borders of Genre: Artificial Paratexts in Golden Age Detective Fiction
  2. Malcah Effron
  3. pp. 199-219
  4. DOI: 10.1353/nar.0.0046
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  1. "Specters of Kath": Negatives and Negativity in Penelope Lively's The Photograph
  2. Laurence Petit
  3. pp. 220-228
  4. DOI: 10.1353/nar.0.0047
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  1. Narrating Oncogenesis: The Problem of Telling when Cancer Begins
  2. Catherine Belling
  3. pp. 229-247
  4. DOI: 10.1353/nar.0.0041
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