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In this Issue

Table of Contents

  1. "Individable Incorporate": Poetic Trends in Women Writers, 1890-1918
  2. Bonnie J. Robinson
  3. pp. 1-14
  4. DOI: https://doi.org/10.1353/vp.2000.0009
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  1. Sight and Song : Transparent Translations and a Manifesto for the Observer
  2. Parejo Vadillo, Ana, 1969-
  3. pp. 15-34
  4. DOI: https://doi.org/10.1353/vp.2000.0012
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  1. Looking "Past Wordsworth and the Rest": Pretexts for Revision in Alice Meynell's "The Shepherdess"
  2. Sharon Smulders
  3. pp. 35-48
  4. DOI: https://doi.org/10.1353/vp.2000.0011
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  1. A Tethered Angel: The Martyrology of Alice Meynell
  2. Talia Schaffer
  3. pp. 49-61
  4. DOI: https://doi.org/10.1353/vp.2000.0010
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  1. "The Tides of the Mind": Alice Meynell's Poetry of Perception
  2. Maria H. Frawley
  3. pp. 62-76
  4. DOI: https://doi.org/10.1353/vp.2000.0006
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  1. "Whilst working at my frame": The Poetic Production of Ethel Carnie
  2. Susan Alves
  3. pp. 77-93
  4. DOI: https://doi.org/10.1353/vp.2000.0001
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  1. "Not a Song to Sell": Re-Presenting A. Mary F. Robinson
  2. M. Lynda Ely
  3. pp. 94-108
  4. DOI: https://doi.org/10.1353/vp.2000.0005
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  1. Naturally Radical: The Subversive Poetics of Dollie Radford
  2. LeeAnne M. Richardson
  3. pp. 109-124
  4. DOI: https://doi.org/10.1353/vp.2000.0008
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  1. Grave Passions: Enclosure and Exposure in Charlotte Mew's Graveyard Poetry
  2. Dennis Denisoff
  3. pp. 125-140
  4. DOI: https://doi.org/10.1353/vp.2000.0004
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  1. Outselling the Modernisms of Men: Amy Lowell and the Art of Self-Commodification
  2. Melissa Bradshaw
  3. pp. 141-169
  4. DOI: https://doi.org/10.1353/vp.2000.0002
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  1. H.D. and the Years of World War I
  2. Norman Kelvin
  3. pp. 170-196
  4. DOI: https://doi.org/10.1353/vp.2000.0007
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  1. Contributors
  2. p. 197
  3. DOI: https://doi.org/10.1353/vp.2000.0003
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