1. “Stealing Steps” and Signature Moves: Embodied Theories of Dance as Intellectual Property
  2. Anthea Kraut
  3. pp. 173-189
  4. DOI: 10.1353/tj.0.0357
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  1. Negotiating the “Negro Problem”: Stew’s Passing (Made) Strange
  2. Brandon Woolf
  3. pp. 191-207
  4. DOI: 10.1353/tj.0.0363
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  1. Toga Plays and Tableaux Vivants: Theatre and Painting on London’s Late-Victorian and Edwardian Popular Stage
  2. Rosemary Barrow
  3. pp. 209-226
  4. DOI: 10.1353/tj.0.0369
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  1. Watching Actors
  2. Tzachi Zamir
  3. pp. 227-243
  4. DOI: 10.1353/tj.0.0375
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  1. Evil, Sin, or Doubt?: The Dramas of Clerical Child Abuse
  2. Elizabeth Cullingford
  3. pp. 245-263
  4. DOI: 10.1353/tj.0.0343
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  1. Our Future Metropolis: Mr. Daniel H. Burnham Presents a Plain Talk for the Development of Chicago (review)
  2. Loren Kruger
  3. pp. 265-267
  4. DOI: 10.1353/tj.0.0349
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  1. The Great Game: Afghanistan (review)
  2. Lesley Ferris
  3. pp. 267-271
  4. DOI: 10.1353/tj.0.0355
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  1. War Horse, and: Stovepipe (review)
  2. Ralf Remshardt
  3. pp. 271-275
  4. DOI: 10.1353/tj.0.0361
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  1. South Africa’s National Arts Festival (review)
  2. Megan Lewis
  3. pp. 275-280
  4. DOI: 10.1353/tj.0.0367
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  1. Festlip 2009 (review)
  2. Christina S. McMahon
  3. pp. 280-285
  4. DOI: 10.1353/tj.0.0373
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  1. Boleros for the Disenchanted (review)
  2. J. Chris Westgate
  3. pp. 285-288
  4. DOI: 10.1353/tj.0.0341
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  1. Kill the Old Torture Their Young (review)
  2. David Calder
  3. pp. 288-290
  4. DOI: 10.1353/tj.0.0347
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  1. The Emperor Jones (review)
  2. Katharine Goodland
  3. pp. 290-291
  4. DOI: 10.1353/tj.0.0353
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  1. An Apology for the Course and Outcome of Certain Events Delivered by Doctor John Faustus on This His Final Evening (review)
  2. Jacob Juntunen
  3. pp. 291-293
  4. DOI: 10.1353/tj.0.0359
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  1. Live Arts Festival and Philly Fringe (review)
  2. Justin Aaron Poole
  3. pp. 293-295
  4. DOI: 10.1353/tj.0.0365
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  1. Little House on the Prairie, The Musical (review)
  2. Rachel Evans
  3. pp. 296-298
  4. DOI: 10.1353/tj.0.0371
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  1. The Bluest Water: A Hurricane Camille Story (review)
  2. Angela Sweigart-Gallagher
  3. pp. 298-301
  4. DOI: 10.1353/tj.0.0377
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  1. Engaging Audiences: A Cognitive Approach to Spectating in the Theatre (review)
  2. Vanessa Ford
  3. pp. 303-304
  4. DOI: 10.1353/tj.0.0344
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  1. (Syn)Aesthetics: Redefining Visceral Performance (review)
  2. Susan Bennett
  3. pp. 304-305
  4. DOI: 10.1353/tj.0.0350
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  1. Political Theatre in Post-Thatcher Britain: New Writing, 1995–2005 (review)
  2. Sara Freeman
  3. pp. 306-308
  4. DOI: 10.1353/tj.0.0362
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  1. Directors and the New Musical Drama: British and American Musical Theatre in the 1980s and ’90s (review)
  2. Rockford Sansom
  3. pp. 308-309
  4. DOI: 10.1353/tj.0.0368
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  1. The Laity, The Church and the Mystery Plays: A Drama of Belonging (review)
  2. Joohee Park
  3. pp. 309-310
  4. DOI: 10.1353/tj.0.0374
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  1. The Swastika and the Stage: German Theatre and Society, 1933–1945 (review)
  2. Leigh Clemons
  3. pp. 310-311
  4. DOI: 10.1353/tj.0.0342
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  1. Holocaust Drama: The Theater of Atrocity (review)
  2. Erika Hughes
  3. pp. 311-312
  4. DOI: 10.1353/tj.0.0348
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  1. Memory, Allegory, and Testimony in South American Theater: Upstaging Dictatorship (review)
  2. Brenda Werth
  3. pp. 313-314
  4. DOI: 10.1353/tj.0.0354
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  1. Classics in Post-Colonial Worlds, and: Crossroads in the Black Aegean: Oedipus, Antigone, and Dramas of the African Diaspora (review)
  2. Erin B. Mee
  3. pp. 314-315
  4. DOI: 10.1353/tj.0.0360
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  1. The Theatre of Socìetas Raffaello Sanzio (review)
  2. Milan Pribisic
  3. pp. 315-316
  4. DOI: 10.1353/tj.0.0366
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  1. Shakespeare’s Ideas: More Things in Heaven and Earth (review)
  2. Lisa Bernd
  3. pp. 317-318
  4. DOI: 10.1353/tj.0.0372
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  1. The Radicalization of Irish Drama, 1600–1900: The Rise and Fall of Ascendancy Theatre (review)
  2. Callie Oppedisano
  3. pp. 318-319
  4. DOI: 10.1353/tj.0.0340
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  1. The Ulster Literary Theatre and the Northern Revival (review)
  2. Eleanor Owicki
  3. pp. 319-320
  4. DOI: 10.1353/tj.0.0346
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  1. Culture Makers: Urban Performance and Literature in the 1920s (review)
  2. Nicole Tabor
  3. pp. 320-321
  4. DOI: 10.1353/tj.0.0352
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  1. Choreographing the Folk: The Dance Stagings of Zora Neale Hurston (review)
  2. Brian Eugenio Herrera
  3. pp. 322-323
  4. DOI: 10.1353/tj.0.0358
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  1. The Scene of Harlem Cabaret: Race, Sexuality, Performance (review)
  2. Darin Kerr
  3. pp. 323-324
  4. DOI: 10.1353/tj.0.0364
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  1. Erratum
  2. p. 324
  3. DOI: 10.1353/tj.0.0370
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  1. Doctoral Projects in Progress in Theatre Arts, 2010
  2. Kyle Reynolds Conway, Troy Matthew Lescher
  3. pp. 329-332
  4. DOI: 10.1353/tj.0.0376
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  1. Editorial Comment
  2. Penny Farfan
  3. pp. vii-viii
  4. DOI: 10.1353/tj.0.0345
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  1. The Cambridge Introduction to Theatre Historiography (review)
  2. James Peck
  3. pp. 305-306
  4. DOI: 10.1353/tj.0.0356
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