1. “Let Our Freak Flags Fly”: Shrek the Musical and the Branding of Diversity
  2. Jessica Brater, Jessica Del Vecchio, Andrew Friedman, Bethany Holmstrom, Eero Laine, Donald Levit, Hillary Miller, David Savran, Carly Griffin Smith, Kenn Watt, Catherine Young, Peter Zazzali
  3. pp. 151-172
  4. DOI: 10.1353/tj.0.0351
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  1. “Stealing Steps” and Signature Moves: Embodied Theories of Dance as Intellectual Property
  2. Anthea Kraut
  3. pp. 173-189
  4. DOI: 10.1353/tj.0.0357
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  1. Negotiating the “Negro Problem”: Stew’s Passing (Made) Strange
  2. Brandon Woolf
  3. pp. 191-207
  4. DOI: 10.1353/tj.0.0363
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  1. Toga Plays and Tableaux Vivants: Theatre and Painting on London’s Late-Victorian and Edwardian Popular Stage
  2. Rosemary Barrow
  3. pp. 209-226
  4. DOI: 10.1353/tj.0.0369
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  1. Watching Actors
  2. Tzachi Zamir
  3. pp. 227-243
  4. DOI: 10.1353/tj.0.0375
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  1. Evil, Sin, or Doubt?: The Dramas of Clerical Child Abuse
  2. Elizabeth Cullingford
  3. pp. 245-263
  4. DOI: 10.1353/tj.0.0343
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  1. Our Future Metropolis: Mr. Daniel H. Burnham Presents a Plain Talk for the Development of Chicago (review)
  2. Loren Kruger
  3. pp. 265-267
  4. DOI: 10.1353/tj.0.0349
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  1. The Great Game: Afghanistan (review)
  2. Lesley Ferris
  3. pp. 267-271
  4. DOI: 10.1353/tj.0.0355
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  1. War Horse, and: Stovepipe (review)
  2. Ralf Remshardt
  3. pp. 271-275
  4. DOI: 10.1353/tj.0.0361
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  1. South Africa’s National Arts Festival (review)
  2. Megan Lewis
  3. pp. 275-280
  4. DOI: 10.1353/tj.0.0367
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  1. Festlip 2009 (review)
  2. Christina S. McMahon
  3. pp. 280-285
  4. DOI: 10.1353/tj.0.0373
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  1. Boleros for the Disenchanted (review)
  2. J. Chris Westgate
  3. pp. 285-288
  4. DOI: 10.1353/tj.0.0341
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  1. Kill the Old Torture Their Young (review)
  2. David Calder
  3. pp. 288-290
  4. DOI: 10.1353/tj.0.0347
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  1. The Emperor Jones (review)
  2. Katharine Goodland
  3. pp. 290-291
  4. DOI: 10.1353/tj.0.0353
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  1. An Apology for the Course and Outcome of Certain Events Delivered by Doctor John Faustus on This His Final Evening (review)
  2. Jacob Juntunen
  3. pp. 291-293
  4. DOI: 10.1353/tj.0.0359
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  1. Live Arts Festival and Philly Fringe (review)
  2. Justin Aaron Poole
  3. pp. 293-295
  4. DOI: 10.1353/tj.0.0365
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  1. Little House on the Prairie, The Musical (review)
  2. Rachel Evans
  3. pp. 296-298
  4. DOI: 10.1353/tj.0.0371
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  1. The Bluest Water: A Hurricane Camille Story (review)
  2. Angela Sweigart-Gallagher
  3. pp. 298-301
  4. DOI: 10.1353/tj.0.0377
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  1. Engaging Audiences: A Cognitive Approach to Spectating in the Theatre (review)
  2. Vanessa Ford
  3. pp. 303-304
  4. DOI: 10.1353/tj.0.0344
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  1. (Syn)Aesthetics: Redefining Visceral Performance (review)
  2. Susan Bennett
  3. pp. 304-305
  4. DOI: 10.1353/tj.0.0350
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  1. Political Theatre in Post-Thatcher Britain: New Writing, 1995–2005 (review)
  2. Sara Freeman
  3. pp. 306-308
  4. DOI: 10.1353/tj.0.0362
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  1. Directors and the New Musical Drama: British and American Musical Theatre in the 1980s and ’90s (review)
  2. Rockford Sansom
  3. pp. 308-309
  4. DOI: 10.1353/tj.0.0368
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  1. The Laity, The Church and the Mystery Plays: A Drama of Belonging (review)
  2. Joohee Park
  3. pp. 309-310
  4. DOI: 10.1353/tj.0.0374
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  1. The Swastika and the Stage: German Theatre and Society, 1933–1945 (review)
  2. Leigh Clemons
  3. pp. 310-311
  4. DOI: 10.1353/tj.0.0342
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  1. Holocaust Drama: The Theater of Atrocity (review)
  2. Erika Hughes
  3. pp. 311-312
  4. DOI: 10.1353/tj.0.0348
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  1. Memory, Allegory, and Testimony in South American Theater: Upstaging Dictatorship (review)
  2. Brenda Werth
  3. pp. 313-314
  4. DOI: 10.1353/tj.0.0354
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  1. Classics in Post-Colonial Worlds, and: Crossroads in the Black Aegean: Oedipus, Antigone, and Dramas of the African Diaspora (review)
  2. Erin B. Mee
  3. pp. 314-315
  4. DOI: 10.1353/tj.0.0360
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  1. The Theatre of Socìetas Raffaello Sanzio (review)
  2. Milan Pribisic
  3. pp. 315-316
  4. DOI: 10.1353/tj.0.0366
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  1. Shakespeare’s Ideas: More Things in Heaven and Earth (review)
  2. Lisa Bernd
  3. pp. 317-318
  4. DOI: 10.1353/tj.0.0372
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  1. The Radicalization of Irish Drama, 1600–1900: The Rise and Fall of Ascendancy Theatre (review)
  2. Callie Oppedisano
  3. pp. 318-319
  4. DOI: 10.1353/tj.0.0340
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  1. The Ulster Literary Theatre and the Northern Revival (review)
  2. Eleanor Owicki
  3. pp. 319-320
  4. DOI: 10.1353/tj.0.0346
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  1. Culture Makers: Urban Performance and Literature in the 1920s (review)
  2. Nicole Tabor
  3. pp. 320-321
  4. DOI: 10.1353/tj.0.0352
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  1. Choreographing the Folk: The Dance Stagings of Zora Neale Hurston (review)
  2. Brian Eugenio Herrera
  3. pp. 322-323
  4. DOI: 10.1353/tj.0.0358
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  1. The Scene of Harlem Cabaret: Race, Sexuality, Performance (review)
  2. Darin Kerr
  3. pp. 323-324
  4. DOI: 10.1353/tj.0.0364
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  1. Erratum
  3. p. 324
  4. DOI: 10.1353/tj.0.0370
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  1. Doctoral Projects in Progress in Theatre Arts, 2010
  2. Kyle Reynolds Conway, Troy Matthew Lescher
  3. pp. 329-332
  4. DOI: 10.1353/tj.0.0376
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  1. Editorial Comment
  2. Penny Farfan
  3. pp. vii-viii
  4. DOI: 10.1353/tj.0.0345
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  1. The Cambridge Introduction to Theatre Historiography (review)
  2. James Peck
  3. pp. 305-306
  4. DOI: 10.1353/tj.0.0356
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