1. Ego non sum Ego: John Dunton and the Consolations of Print
  2. Jody Greene
  3. pp. 127-144
  4. DOI: 10.1353/ecy.0.0035
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  1. The Invention of a Public Machine for Revolutionary Sentiment: The Boston Committee of Correspondence
  2. William B. Warner
  3. pp. 145-164
  4. DOI: 10.1353/ecy.0.0036
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  1. Compulsory Narration, Sentimental Interface: Going through the Motions of Emotion
  2. Suzie Park
  3. pp. 165-183
  4. DOI: 10.1353/ecy.0.0038
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  1. On Going Steady with Novels
  2. Deidre Lynch
  3. pp. 207-219
  4. DOI: 10.1353/ecy.0.0042
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  1. Mastery and Melancholy in Suburbia
  2. Andrea Henderson
  3. pp. 221-244
  4. DOI: 10.1353/ecy.0.0034
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  1. "All these lovers of books have themselves become books!": Leigh Hunt in his Library
  2. Jacqueline George
  3. pp. 245-261
  4. DOI: 10.1353/ecy.0.0037
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  1. Response: Some Thoughts on Print Culture and the Emotions
  2. Jonathan Kramnick
  3. pp. 263-267
  4. DOI: 10.1353/ecy.0.0033
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  1. Introduction: Histories of Print, Histories of Emotion
  2. Laura Mandell
  3. pp. 119-126
  4. DOI: 10.1353/ecy.0.0040
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  1. Radical Moral Authority and Desire: The Image of the Male Romantic Poet in Frontispiece Portraits of Byron and Shelley
  2. Gerald Egan
  3. pp. 185-205
  4. DOI: 10.1353/ecy.0.0039
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  1. Notes on Contributors
  2. pp. 269-270
  3. DOI: 10.1353/ecy.0.0041
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