1. Science and Technology Confront Reality
  2. Cynthia J. Miller, A. Bowdoin Van Riper, Loren P.Q. Baybrook
  3. pp. 4-5
  4. DOI: 10.1353/flm.0.0132
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  1. Good Germans, Humane Automobiles: Redeeming Technological Modernity—In Those Days
  2. Paul Dobryden
  3. pp. 7-24
  4. DOI: 10.1353/flm.0.0137
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  1. Atomic Kids: Duck and Cover and Atomic Alert Teach American Children How to Survive Atomic Attack
  2. Bo Jacobs
  3. pp. 25-44
  4. DOI: 10.1353/flm.0.0142
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  1. The Right Stuff at the Wrong Time: The Space of Nostalgia in the Conservative Ascendancy
  2. James Scott
  3. pp. 45-57
  4. DOI: 10.1353/flm.0.0147
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  1. Dystopian Genesis: The Scientist's Role in Society, According to Jack Arnold
  2. Gerhard Wiesenfeldt
  3. pp. 58-74
  4. DOI: 10.1353/flm.0.0152
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  1. Evidence of Things Not Quite Seen: Cloverfield's Obstructed Spectacle
  2. Daniel North
  3. pp. 75-92
  4. DOI: 10.1353/flm.0.0157
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  1. Using Visual Evidence (review)
  2. Robert Fyne
  3. pp. 93-94
  4. DOI: 10.1353/flm.0.0130
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  1. All About Almodovar: A Passion for Cinema (review)
  2. Edward R. Schmidtke
  3. pp. 94-96
  4. DOI: 10.1353/flm.0.0135
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  1. Sergei Eisenstein (review)
  2. Denise J. Youngblood
  3. pp. 96-98
  4. DOI: 10.1353/flm.0.0140
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  1. Reinventing Cinema: Movies in the Age of Media Convergence (review)
  2. Michael Marino
  3. pp. 98-99
  4. DOI: 10.1353/flm.0.0145
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  1. Hollywood Divas, Indie Queens, & TV Heroines: Contemporary Screen Images of Women (review)
  2. David Lancaster
  3. pp. 99-101
  4. DOI: 10.1353/flm.0.0150
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  1. David Lean: Interviews (review)
  2. Edward R. Schmidtke
  3. pp. 101-102
  4. DOI: 10.1353/flm.0.0155
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  1. Seventies British Cinema (review)
  2. Kevin M. Flanagan
  3. pp. 102-104
  4. DOI: 10.1353/flm.0.0159
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  1. Some Liked It Hot: Jazz Women in Film and Television, 1928-1959 (review)
  2. Edward R. Schmidtke
  3. pp. 104-106
  4. DOI: 10.1353/flm.0.0133
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  1. Joseph L. Mankiewicz: Interviews (review)
  2. Ron Briley
  3. pp. 106-108
  4. DOI: 10.1353/flm.0.0138
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  1. Film Noir, American Workers, and Postwar Hollywood (review)
  2. Anja Becker
  3. pp. 108-109
  4. DOI: 10.1353/flm.0.0143
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  1. Cult Films: Taboo and Transgression (review)
  2. Dusty Lavoie
  3. pp. 109-111
  4. DOI: 10.1353/flm.0.0148
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  1. Call Me Lucky: A Texan in Hollywood (review)
  2. Edward R. Schmidtke
  3. pp. 111-112
  4. DOI: 10.1353/flm.0.0153
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  1. The Reckoning: The Battle for the International Criminal Court (review)
  2. Maarten Pereboom
  3. pp. 113-114
  4. DOI: 10.1353/flm.0.0158
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  1. Ella Es el Matator (review)
  2. James F. Scott
  3. pp. 114-116
  4. DOI: 10.1353/flm.0.0131
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  1. February One: The Story of the Greensboro Four (review)
  2. Theresa C. Lynch
  3. pp. 116-118
  4. DOI: 10.1353/flm.0.0136
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  1. Reel Bad Arabs - How Hollywood Vilifies a People (review)
  2. Linnéa J. Hussein
  3. pp. 118-120
  4. DOI: 10.1353/flm.0.0141
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  1. District 9 (review)
  2. Matthew Jones
  3. pp. 120-122
  4. DOI: 10.1353/flm.0.0146
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  1. The Moving Earth (review)
  2. Stephen Rust
  3. pp. 122-124
  4. DOI: 10.1353/flm.0.0151
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  1. War Dogs of the Pacific (review)
  2. John Shelton Lawrence
  3. pp. 124-125
  4. DOI: 10.1353/flm.0.0156
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  1. Libby, Montana (review)
  2. Lawrence Mastroni
  3. pp. 126-127
  4. DOI: 10.1353/flm.0.0160
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  1. Lucanamarca (review)
  2. Russ Hunter
  3. pp. 127-129
  4. DOI: 10.1353/flm.0.0134
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  1. The London Nobody Knows (review)
  2. Kevin M. Flanagan
  3. pp. 129-130
  4. DOI: 10.1353/flm.0.0139
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  1. Storm Over Everest (review)
  2. Marian Gagnon
  3. pp. 130-132
  4. DOI: 10.1353/flm.0.0144
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  1. Viva Nelson Mandela: A Hero for All Seasons (review)
  2. Donna Yarri
  3. pp. 132-133
  4. DOI: 10.1353/flm.0.0149
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  1. Angels in the Dust (review)
  2. Erwin F. Erhardt III
  3. pp. 133-135
  4. DOI: 10.1353/flm.0.0154
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