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Table of Contents

  1. The Temple as Conceptual Metaphor
  2. John Bienz
  3. pp. 1-18
  4. DOI: https://doi.org/10.1353/ghj.2013.0004
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  1. The Problem of Sexual Reference in George Herbert's Verse
  2. Alan Rudrum
  3. pp. 19-32
  4. DOI: https://doi.org/10.1353/ghj.2013.0012
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  1. Herbert, Keats, and the Romantic Revival of Metaphysical Poetry
  2. William R. Hooton III
  3. pp. 33-57
  4. DOI: https://doi.org/10.1353/ghj.2013.0020
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  1. "Quick-ey'd Love": Regenerate Eyes and Spiritual Body in Herbert's "Love" (III)
  2. Celestin John Walby
  3. pp. 58-72
  4. DOI: https://doi.org/10.1353/ghj.2013.0027
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  1. Facing Pages: Layout in the Williams Manuscript of George Herbert's Poems
  2. Lillian Myers
  3. pp. 73-82
  4. DOI: https://doi.org/10.1353/ghj.2013.0034
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  1. Herbert's "Thy Cage, Thy Rope of Sands": An Hourglass
  2. Ronald A. Horton
  3. pp. 83-88
  4. DOI: https://doi.org/10.1353/ghj.2013.0041
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  1. A Note on the "Crown Imperiall" in Herbert's "Peace"
  2. R.V. Young
  3. pp. 89-92
  4. DOI: https://doi.org/10.1353/ghj.2013.0001
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  1. Izaak Walton (review)
  2. Clayton D. Lein
  3. pp. 93-97
  4. DOI: https://doi.org/10.1353/ghj.2013.0009
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  1. Theory and Theology in George Herbert's Poetry: "Divinitie, and Poesie, Met" (review)
  2. Louis L. Martz
  3. pp. 98-105
  4. DOI: https://doi.org/10.1353/ghj.2013.0017
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  1. Writing the Flesh: The Herbert Family Dialogue (review)
  2. Michael Schoenfeldt
  3. pp. 114-118
  4. DOI: https://doi.org/10.1353/ghj.2013.0031
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  1. The Politics of Revelation in the English Renaissance (review)
  2. Helen Wilcox
  3. pp. 119-124
  4. DOI: https://doi.org/10.1353/ghj.2013.0038
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  1. Conforming to the Word: Herbert, Donne, and the English Church before Laud (review)
  2. Jeffrey Powers-Beck
  3. pp. 125-128
  4. DOI: https://doi.org/10.1353/ghj.2013.0045
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  1. Editor's Notes
  2. Sidney Gottlieb
  3. pp. 129-131
  4. DOI: https://doi.org/10.1353/ghj.2013.0006
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