In this Issue

Table of Contents

"To change in scenes and show it in a play": Paradise Lost and the Stage Directions of Dryden's The State of Innocence and Fall of Man

Lara Dodds
pp. 1-24
DOI: https://doi.org/10.1353/rst.0.0046
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"Perjur'd Rebel": Equivocal Allegiance and Abraham Cowley's Cutter of Coleman Street

Theodore F. Kaouk
pp. 25-46
DOI: https://doi.org/10.1353/rst.0.0048
restricted access

Dryden's Transformation of Bernier's Travels

Peter Craft
pp. 47-55
DOI: https://doi.org/10.1353/rst.0.0050
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Engines of the Imagination: Renaissance Culture and the Rise of the Machine (review)

Andrew Fleck
pp. 57-59
DOI: https://doi.org/10.1353/rst.0.0042
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The Human Satan in Seventeenth-Century English Literature: From Milton to Rochester (review)

Sarah Roche Moreman
pp. 59-62
DOI: https://doi.org/10.1353/rst.0.0043
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Milton and the Jews (review)

Daveena Tauber
pp. 62-64
DOI: https://doi.org/10.1353/rst.0.0044
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Politics, Transgression, and Representation at the Court of Charles II. Studies in British Art 18 (review)

Will Pritchard
pp. 64-65
DOI: https://doi.org/10.1353/rst.0.0045
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Writing Lives: Biography and Textuality, Identity and Representations in Early Modern England (review)

Mary Jo Keitzman
pp. 66-68
DOI: https://doi.org/10.1353/rst.0.0047
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Some Current Publications

Zoe Gibbons
pp. 69-78
DOI: https://doi.org/10.1353/rst.0.0049
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