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In this Issue

Table of Contents

  1. The Editor's Reflections and Reports
  2. Peter C. Rollins
  3. pp. 1-6
  4. restricted access
  1. The West Wing: The American Presidency as Television Drama
  2. Ray Browne
  3. pp. 6-8
  4. restricted access
  1. Professional Women—Women in The Professionals (1966)
  2. Winona Howe
  3. pp. 12-18
  4. DOI: https://doi.org/10.1353/flm.2003.a396080
  5. restricted access
  1. Rewriting the West as Multi-Cultural: Legend Meets Complex Histories in la Frontera in John Sayles' Lone Star (1996)
  2. Kimberly Sultze
  3. pp. 19-25
  4. DOI: https://doi.org/10.1353/flm.2003.a396081
  5. restricted access
  1. Revisiting the "Revisionist" Western
  2. Barry Langford
  3. pp. 26-35
  4. DOI: https://doi.org/10.1353/flm.2003.a396082
  5. restricted access
  1. Henry Hathaway's Rawhide and the Hermetic Frontiers of Film Noir
  2. Hugh S. Manon
  3. pp. 36-47
  4. DOI: https://doi.org/10.1353/flm.2003.a396083
  5. restricted access
  1. Cowboys and Comedy: The Simultaneous Deconstruction and Reinforcement of Generic Conventions in the Western Parody
  2. Matthew R. Turner
  3. pp. 48-54
  4. DOI: https://doi.org/10.1353/flm.2003.a396084
  5. restricted access
  1. Turner Network Television's Made-for-TV Western Films and the Social Construction of Authenticity
  2. David Pierson
  3. pp. 55-64
  4. DOI: https://doi.org/10.1353/flm.2003.a396085
  5. restricted access
  1. American History through Feature Films: a Middle School Unit
  2. Brian Stevens
  3. pp. 65-69
  4. DOI: https://doi.org/10.1353/flm.2003.a396086
  5. restricted access
  1. The Perilous Fight: America's World War II in Color
  2. Raymond J. Haberski Jr.
  3. pp. 70-72
  4. restricted access
  1. Benedict Arnold: A Question of Honor
  2. Suzanne Broderick
  3. pp. 72-74
  4. restricted access
  1. Chicago
  2. Cara Ann Lane
  3. pp. 74-75
  4. restricted access
  1. Frida
  2. Ron Briley
  3. pp. 75-77
  4. restricted access
  1. The League of Extraordinary Gentlemen
  2. Marc Oxoby
  3. pp. 77-78
  4. restricted access
  1. Elizabeth: Polygram Films (1998)
  2. Sarah Knowles
  3. pp. 78-80
  4. restricted access
  1. Words at War: World War II Era Radio Drama and the Postwar Broadcasting Industry Blacklist (review)
  2. Robert Fyne
  3. pp. 81-82
  4. restricted access
  1. Cinemas of the World: Film and Society from 1895 to the Present Day (review)
  2. David Lancaster
  3. pp. 82-83
  4. restricted access
  1. Korean War Filmography: 91 English Language Features through 2000 (review)
  2. Robert Fyne
  3. pp. 83-84
  4. restricted access
  1. The Magic Hour: Film at Fin de Siecle (review)
  2. David Lancaster
  3. pp. 84-85
  4. restricted access
  1. The Big Screen Comedies of Mel Brooks (review)
  2. Jason P. Wojcik
  3. pp. 85-86
  4. restricted access
  1. H. G. Wells on Film: The Utopian Nightmare (review)
  2. Elun Gabriel
  3. pp. 86-87
  4. restricted access
  1. The American War Film: History and Hollywood (review)
  2. Michael S. Shull
  3. pp. 87-88
  4. restricted access
  1. Polish National Cinema (review)
  2. Jay Morong
  3. pp. 88-89
  4. restricted access
  1. The Cinema of Generation X: A Critical Study (review)
  2. Laura Wittern Keller
  3. pp. 89-90
  4. restricted access
  1. God Bless America: Tin Pan Alley Goes to War (review)
  2. Robert Fyne
  3. pp. 90-91
  4. restricted access
  1. Screen Saviors: Hollywood Fictions of Whiteness (review)
  2. David Lancaster
  3. pp. 91-92
  4. restricted access
  1. The Infernal Return: The Recurrence of the Primordial in Films of the Reaction Years, 1977-1983 (review)
  2. Angela Schwarz
  3. pp. 92-93
  4. restricted access
  1. The American West(s) in Film, Television, and History: Introduction
  2. Deborah Carmichael
  3. pp. 9-11
  4. restricted access

Previous Issue

Volume 33, Number 1, 2003

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Volume 34.1 (2004)