1. The Editor's Reflections and Reports
  2. Peter C. Rollins
  3. pp. 1-5
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  1. Hollywood's White House: The American Presidency in Film and History
  2. Ray Browne
  3. p. 5
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  1. Cimarron: The New Western History in 1931
  2. J.E. Smyth
  3. pp. 9-17
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  1. The "Ache for Home" in Anthony Mann's Devil's Doorway (1950)
  2. Joanna Hearne
  3. pp. 18-29
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  1. Rewriting High Noon: Transformations in American Popular Political Culture During the Cold War
  2. Matthew Costello
  3. pp. 30-40
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  1. Dead Men Walking: Consumption and Agency in the Western
  2. Loren Quiring
  3. pp. 41-46
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  1. Historical Discourse and American Identity in Westerns since the Reagan Administration
  2. Alexandra Keller
  3. pp. 47-54
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  1. The Future of The West Wing: Discussions on H-PCAACA Listserv
  2. Peter Rollins
  3. pp. 55-63
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  1. Bridget Jones's Diary
  2. Cara Ann Lane
  3. pp. 64-65
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  1. Bowling for Columbine
  2. Patrick Finn
  3. pp. 65-66
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  1. Ghosts of Attica and Investigation of a Flame: A Documentary Portrait of the Catonsville Nine
  2. James C. Giesen
  3. pp. 66-67
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  1. Harry Potter and the Chamber of Secrets (2002) & The Lord of the Rings: The Two Towers (2002)
  2. Marc Oxoby
  3. pp. 67-69
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  1. Zinat: One Special Day
  2. Deborah Hutton
  3. pp. 69-70
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  1. The Good War and Those Who Refused to Fight It (2000) (review)
  2. Timothy Stewart-Winter
  3. pp. 70-72
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  1. Lou's on First (review)
  2. Robert Cirasa
  3. pp. 73-75
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  1. Echoes of War: A Thousand Years of Military History in Popular Culture (review)
  2. Robert Fyne
  3. pp. 75-76
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  1. Film and Knowledge: Essays on the Integration of Images and Ideas (review)
  2. David Lancaster
  3. pp. 76-77
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  1. Reel History: In Defense of Hollywood (review)
  2. Robert Fyne
  3. pp. 78-79
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  1. Billy Wilder: American Film Realist (review)
  2. Harvey Young
  3. pp. 79-80
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  1. American Audiences on Movies and Moviegoing (review)
  2. Ron Briley
  3. pp. 80-81
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  1. Disaster Movies: The Cinema of Catastrophe (review)
  2. Lisa Ossian
  3. pp. 80-81
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  1. The Films of Derek Jarman (review)
  2. David Lancaster
  3. pp. 83-84
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  1. Storytelling in the New Hollywood: Understanding Classical Narrative Technique (review)
  2. Robert Sickels
  3. p. 84
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  1. Public Enemies, Public Heroes: Screening the Gangster from Little Caesar to Touch of Evil (review)
  2. Robert Sickels
  3. pp. 85-86
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  1. Off-White Hollywood: American Culture and Ethnic Stardom (review)
  2. Jack Carroll
  3. p. 86
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  1. The Encyclopedia of Orson Welles (review)
  2. Hugh S. Manon
  3. p. 87
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  1. Why We Make Movies: Black Filmmakers Talk About the Magic of Cinema (review)
  2. Keith Orlando Hilton
  3. pp. 87-88
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  1. The American West(s) in Film, Television, and History: Introduction
  2. Deborah Carmichael
  3. pp. 6-8
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  1. The Western Genre: From Lordsburg to Big Whiskey Short Cuts Series 7 (review)
  2. Jason Vest
  3. pp. 77-78
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  1. The Hitler Filmography: Worldwide Feature Film and Television Miniseries Portrayals, 1940 through 2000 (review)
  2. Robert Fyne
  3. pp. 84-85
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