1. The Editor's Reflections and Reports
  2. Peter C. Rollins
  3. pp. 1-3
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  1. Writing About Medieval Movies: Authenticity and History
  2. Martha Driver
  3. pp. 5-7
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  1. Looking at the Middle Ages in the Cinema: An Overview
  2. David John Williams
  3. pp. 8-19
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  1. Medieval Movies: A Filmography
  2. David John Williams
  3. pp. 20-32
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  1. Pretty Women: The Romance of the Fair Unknown, Feminism, and Contemporary Romantic Comedy
  2. Elizabeth Scala
  3. pp. 34-45
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  1. Re-presenting History: Ivanhoe on the Screen
  2. Walter Srebnick
  3. pp. 46-54
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  1. Culture Wars Medieval and Modern in Le Moine et la sorcière
  2. Ed Benson
  3. pp. 56-70
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  1. Nuclear Movies
  2. Mick Broderick
  3. pp. 72-74
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  1. Classical Hollywood
  2. Walter Metz
  3. pp. 73-81
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  1. Cinema of Poetry
  2. David Wilt
  3. p. 74
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  1. A Beacon of Light
  2. Harvey Young
  3. p. 75
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  1. Opening Line
  2. Wendy J. Donat
  3. pp. 76-81
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  1. Eight Fingers
  2. Solomon Davidoff
  3. p. 77
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  1. A Boa Constrictor
  2. Liza Black
  3. pp. 78-79
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  1. Experimental Films
  2. Michael S. Shull
  3. p. 79
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  1. Myth and Reality
  2. Jeffrey Torres
  3. pp. 80-81
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  1. A Full Day's Work
  2. Michael Strada
  3. pp. 82-83
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  1. Social Tendencies
  2. Joseph Dorinson
  3. p. 83
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  1. Highest Tribute
  2. James Everett
  3. pp. 84-85
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  1. Extensive Picture
  2. Dina Lordanova
  3. pp. 86-85
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  1. National Narrative
  2. Ron Briley
  3. p. 87
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  1. Another Look
  2. Pearl Stratyner
  3. pp. 88-85
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  1. Living Resources
  2. Robert C. Sickels
  3. p. 89
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  1. Several Themes
  2. Peter Rollberg
  3. p. 90
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