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Table of Contents

  1. The Editor's Reflections and Reports
  2. Peter C. Rollins
  3. pp. 1-3
  4. restricted access
  1. Oliver Stone as Cinematic Historian (Part II)
  2. Robert Brent Toplin
  3. p. 4
  4. DOI: https://doi.org/10.1353/flm.1998.a395863
  5. restricted access
  1. New Left, Revisionist, In-Your-Face History: Oliver Stone's Born on the Fourth of July Experience
  2. Jack E. Davis
  3. pp. 6-17
  4. DOI: https://doi.org/10.1353/flm.1998.a395864
  5. restricted access
  1. Oliver Stone's Salvador (1986): Revolution for the Unacquainted
  2. Dale T. Graden, James W. Martin
  3. pp. 18-27
  4. DOI: https://doi.org/10.1353/flm.1998.a395865
  5. restricted access
  1. Way Cooler than Manson: Natural Born Killers (1994)
  2. David T. Courtwright
  3. pp. 28-36
  4. DOI: https://doi.org/10.1353/flm.1998.a395866
  5. restricted access
  1. Jim Morrison, Oliver Stone, and the Quest for the Sixties
  2. Barbara L. Tischler
  3. pp. 38-46
  4. DOI: https://doi.org/10.1353/flm.1998.a395867
  5. restricted access
  1. Remembering Sergei Mikhailovich Eisenstein, 1898-1998: Wagnerian Opera in Stalin's Diplomacy
  2. R. C. Raack
  3. pp. 48-56
  4. DOI: https://doi.org/10.1353/flm.1998.a395868
  5. restricted access
  1. An Encomium to Richard Raack, Historian-Filmmaker
  2. Peter C. Rollins
  3. p. 57
  4. DOI: https://doi.org/10.1353/flm.1998.a395869
  5. restricted access
  1. Realism, Genre, and Saving Private Ryan
  2. Phil Landon
  3. pp. 58-62
  4. DOI: https://doi.org/10.1353/flm.1998.a395870
  5. restricted access
  1. Made You Look: Towards a Critical Evaluation of Steven Spielberg's Saving Private Ryan
  2. Laurent Ditmann
  3. pp. 64-71
  4. DOI: https://doi.org/10.1353/flm.1998.a395871
  5. restricted access
  1. An Internet Discussion of Saving Private Ryan
  2. H-PCAACA with H-NET
  3. pp. 72-81
  4. DOI: https://doi.org/10.1353/flm.1998.a395872
  5. restricted access
  1. Artemisia (1998) (review)
  2. John C. Tibbetts
  3. pp. 81-82
  4. restricted access
  1. North Carolina History
  2. Craig Thompson Friend
  3. pp. 84-85
  4. restricted access
  1. Olympia (review)
  2. Beatriz Badikian
  3. pp. 86-87
  4. restricted access
  1. Twelve Essays
  2. Robert Fyne
  3. p. 92
  4. restricted access
  1. Mayhem and Gore
  2. Suzanne Broderick
  3. pp. 93-87
  4. restricted access
  1. Only a Nickel and a Dream
  2. Wallace Bullock
  3. pp. 94-81
  4. restricted access
  1. Milk a Cow
  2. Michael Yates
  3. pp. 95-87
  4. restricted access
  1. Not so Fast
  2. Michael J. Strada
  3. pp. 96-85
  4. restricted access
  1. A Predestined Consequence
  2. John C. Tibbetts
  3. p. 97
  4. restricted access
  1. Thorny Issues
  2. Robert Fyne
  3. pp. 98-99
  4. restricted access
  1. Only Good Indian
  2. Marshall W. Fishwick
  3. p. 99
  4. restricted access
  1. Labor of Love
  2. Laurent Ditmann
  3. pp. 100-170
  4. restricted access
  1. Clever Fabrication
  2. Peter Rollberg
  3. p. 101
  4. restricted access
  1. World War I Subject of Two Quite Different Books
  2. Robert W. Matson
  3. pp. 102-163
  4. restricted access
  1. Postcolonial Culture
  2. Laurent Ditmann
  3. pp. 103-163
  4. restricted access
  1. Shrewd Box-Office Icon
  2. Elizabeth Abele
  3. p. 104
  4. restricted access
  1. Momentous Reversals
  2. Robert Fyne
  3. p. 105
  4. restricted access
  1. So Much Minutiae
  2. Bernard Weinstein
  3. p. 106
  4. restricted access
  1. World War II Records
  2. David Wilt
  3. p. 107
  4. restricted access
  1. Liaison 1: Europe: Notes from a Cambridge Colloquium
  2. Richard Howells
  3. p. 108
  4. DOI: https://doi.org/10.1353/flm.1998.a395892
  5. restricted access
  1. Liaison 2: Scandinavia: Film and History in Scandinavia
  2. Hannu Salmi
  3. pp. 109-110
  4. DOI: https://doi.org/10.1353/flm.1998.a395893
  5. restricted access