1. The Editor's Reflections and Reports
  2. Peter C. Rollins
  3. pp. 1-3
  4. restricted access contents
  1. Teaching JFK (1991): Potential Dynamite in the Hands of Our Youth?
  2. Ron Briley
  3. pp. 8-15
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  1. Wall Street (1987): The Stockbroker's Son and the Decade of Greed
  2. Raymond Arsenault
  3. pp. 16-27
  4. restricted access contents
  1. Oliver Stone
  2. Millard Dunn
  3. p. 28
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  1. Yiddish Film and the American Immigrant Experience
  2. Joseph Cohen
  3. pp. 30-44
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  1. Food and Sex, That's All We're Good for: Images of Women in Like Water for Chocolate (1993) (review)
  2. Beatriz Badikian
  3. pp. 46-48
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  1. Motion Picture Press Kits: A Resource for Film Study
  2. Eric Leuschner
  3. pp. 50-54
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  1. The History Channel Presents The Fifties (1997)
  2. Philip J. Landon
  3. pp. 56-60
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  1. Amistad (1997): An Internet Review of Merit (review)
  2. Sally Hadden
  3. pp. 62-68
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  1. What Price Glory?
  2. Ron Briley
  3. pp. 69-71
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  1. Titanic (1997) (review)
  2. Richard Howells
  3. pp. 70-71
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  1. Critically Misunderstood
  2. Barbara McGowan
  3. p. 72
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  1. Positive Public Image
  2. Robert Fyne
  3. pp. 73-71
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  1. An Elegiac Outlook
  2. Victor Or
  3. p. 74
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  1. Operatic Melodramas
  2. Elizabeth Abele
  3. pp. 75-71
  4. restricted access contents
  1. Usual Magic
  2. Jeffrey Torres
  3. pp. 76-77
  4. restricted access contents
  1. Detailed Attention
  2. Michael S. Shull
  3. p. 78
  4. restricted access contents
  1. Down with Communism!
  2. Robert Fyne
  3. p. 79
  4. restricted access contents
  1. Special Editor's Introduction: Oliver Stone as Cinematic Historian
  2. Robert Brent Toplin
  3. pp. 5-7
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