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In this Issue

Table of Contents

  1. Anglophilia on Film: Creating an Atmosphere for Alliance, 1935-1941
  2. Michael Todd Bennett
  3. pp. 4-21
  4. DOI: https://doi.org/10.1353/flm.1997.a395895
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  1. A Change of Heart: Alvin York and the Movie Sergeant York
  2. Michael E. Birdwell
  3. pp. 22-33
  4. DOI: https://doi.org/10.1353/flm.1997.a395896
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  1. "All Unquiet on the Hollywood Front": Actor Lew Ayres as Conscientious Objector
  2. Heather Frazer, John O'Sullivan
  3. pp. 34-39
  4. DOI: https://doi.org/10.1353/flm.1997.a395897
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  1. Awakening A Sleeping Giant: The Pearl Harbor Attack on Film
  2. Ralph R. Donald
  3. pp. 40-46
  4. DOI: https://doi.org/10.1353/flm.1997.a395898
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  1. Democracy Goes to War: Air Force (1943)
  2. Michael Paris
  3. pp. 48-52
  4. DOI: https://doi.org/10.1353/flm.1997.a395899
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  1. This is the Army (1943): The Show Musical Goes to War
  2. Dan Cabaniss
  3. pp. 54-60
  4. DOI: https://doi.org/10.1353/flm.1997.a395900
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  1. Tough 'Ombres and Battleground: The Reel War and The Real War
  2. Suzanne Broderick
  3. pp. 62-67
  4. DOI: https://doi.org/10.1353/flm.1997.a395901
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  1. Differing Understandings of Captivity in Uranus
  2. Elliott Gruner
  3. pp. 68-71
  4. DOI: https://doi.org/10.1353/flm.1997.a395902
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  1. Individual Commitment in To Have and Have Not (1944)
  2. Daniel G. Shaw
  3. pp. 72-79
  4. DOI: https://doi.org/10.1353/flm.1997.a395903
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  1. Archetypes as Propaganda in Alfred Hitchcock's "Lost" World War II Films
  2. J. Justin Gustainis, Deborah Jay DeSilva
  3. pp. 80-87
  4. DOI: https://doi.org/10.1353/flm.1997.a395904
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  1. The Atomic Agincourt: Henry V and the Filmic Making of Postwar Anglo-American Cultural Relations
  2. John G. Nichols
  3. pp. 88-94
  4. DOI: https://doi.org/10.1353/flm.1997.a395905
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  1. America, World War II, and the Movies: An Annotated Booklist
  2. Peter C. Rollins
  3. pp. 96-107
  4. DOI: https://doi.org/10.1353/flm.1997.a395906
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  1. Bringing the War Home: William Wyler and World War II
  2. Gary Hoppenstand, Floyd Barrows, Erik Lunde
  3. pp. 108-118
  4. DOI: https://doi.org/10.1353/flm.1997.a395907
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  1. The Elusive Factoid: World War II Motivation at Warner Bros.?
  2. Thomas Doherty
  3. pp. 120-122
  4. DOI: https://doi.org/10.1353/flm.1997.a395908
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  1. So Simple and Clear Cut
  2. Laurent Ditmann
  3. pp. 124-133
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  1. Shedding Light on Franceso Rosi
  2. David Wilt
  3. p. 126
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  1. Mangled Memories
  2. Michael S. Shull
  3. p. 127
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  1. Directorial Conflict
  2. George Bagley
  3. pp. 128-129
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  1. A Decline in Viewership
  2. Ron Briley
  3. pp. 130-133
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  1. "Schindler's Singularity"
  2. J. David Slocum
  3. pp. 131-135
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  1. Perception, Memory or Myth
  2. Robert Fyne
  3. pp. 132-133
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  1. A Double Outsider
  2. Michael Yates
  3. pp. 134-135
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  1. Hymn to Mainstream Values
  2. Elliott West
  3. p. 136
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  1. Stamp of Approval
  2. Charles R. Gallagher
  3. pp. 137-129
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  1. Largest Audience
  2. Dale Schmitt
  3. pp. 138-141
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  1. Sound Analysis
  2. Barbara Williamson
  3. p. 139
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  1. An Invaluable Resource
  2. Michael Yates
  3. pp. 140-129
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  1. Metaphorical Journeys
  2. Dan Cabaniss
  3. p. 141
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  1. President Roosevelt's Call
  2. Robert Fyne
  3. p. 142
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  1. Common Experiences
  2. Randolph Lewis
  3. p. 143
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  1. The Thorniest of Issues
  2. Laurent Ditmann
  3. pp. 144-145
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  1. Special Editor's Introduction: World War II in Film and History
  2. Robert W. Matson
  3. pp. 1-3
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