1. Anglophilia on Film: Creating an Atmosphere for Alliance, 1935-1941
  2. Michael Todd Bennett
  3. pp. 4-21
  4. restricted access contents
  1. A Change of Heart: Alvin York and the Movie Sergeant York
  2. Michael E. Birdwell
  3. pp. 22-33
  4. restricted access contents
  1. "All Unquiet on the Hollywood Front": Actor Lew Ayres as Conscientious Objector
  2. Heather Frazer, John O'Sullivan
  3. pp. 34-39
  4. restricted access contents
  1. Awakening A Sleeping Giant: The Pearl Harbor Attack on Film
  2. Ralph R. Donald
  3. pp. 40-46
  4. restricted access contents
  1. Democracy Goes to War: Air Force (1943)
  2. Michael Paris
  3. pp. 48-52
  4. restricted access contents
  1. This is the Army (1943): The Show Musical Goes to War
  2. Dan Cabaniss
  3. pp. 54-60
  4. restricted access contents
  1. Tough 'Ombres and Battleground: The Reel War and The Real War
  2. Suzanne Broderick
  3. pp. 62-67
  4. restricted access contents
  1. Differing Understandings of Captivity in Uranus
  2. Elliott Gruner
  3. pp. 68-71
  4. restricted access contents
  1. Individual Commitment in To Have and Have Not (1944)
  2. Daniel G. Shaw
  3. pp. 72-79
  4. restricted access contents
  1. Archetypes as Propaganda in Alfred Hitchcock's "Lost" World War II Films
  2. J. Justin Gustainis, Deborah Jay DeSilva
  3. pp. 80-87
  4. restricted access contents
  1. The Atomic Agincourt: Henry V and the Filmic Making of Postwar Anglo-American Cultural Relations
  2. John G. Nichols
  3. pp. 88-94
  4. restricted access contents
  1. America, World War II, and the Movies: An Annotated Booklist
  2. Peter C. Rollins
  3. pp. 96-107
  4. restricted access contents
  1. Bringing the War Home: William Wyler and World War II
  2. Gary Hoppenstand, Floyd Barrows, Erik Lunde
  3. pp. 108-118
  4. restricted access contents
  1. The Elusive Factoid: World War II Motivation at Warner Bros.?
  2. Thomas Doherty
  3. pp. 120-122
  4. restricted access contents
  1. So Simple and Clear Cut
  2. Laurent Ditmann
  3. pp. 124-133
  4. restricted access contents
  1. Shedding Light on Franceso Rosi
  2. David Wilt
  3. p. 126
  4. restricted access contents
  1. Mangled Memories
  2. Michael S. Shull
  3. p. 127
  4. restricted access contents
  1. Directorial Conflict
  2. George Bagley
  3. pp. 128-129
  4. restricted access contents
  1. A Decline in Viewership
  2. Ron Briley
  3. pp. 130-133
  4. restricted access contents
  1. "Schindler's Singularity"
  2. J. David Slocum
  3. pp. 131-135
  4. restricted access contents
  1. Perception, Memory or Myth
  2. Robert Fyne
  3. pp. 132-133
  4. restricted access contents
  1. A Double Outsider
  2. Michael Yates
  3. pp. 134-135
  4. restricted access contents
  1. Hymn to Mainstream Values
  2. Elliott West
  3. p. 136
  4. restricted access contents
  1. Stamp of Approval
  2. Charles R. Gallagher
  3. pp. 137-129
  4. restricted access contents
  1. Largest Audience
  2. Dale Schmitt
  3. pp. 138-141
  4. restricted access contents
  1. Sound Analysis
  2. Barbara Williamson
  3. p. 139
  4. restricted access contents
  1. An Invaluable Resource
  2. Michael Yates
  3. pp. 140-129
  4. restricted access contents
  1. Metaphorical Journeys
  2. Dan Cabaniss
  3. p. 141
  4. restricted access contents
  1. President Roosevelt's Call
  2. Robert Fyne
  3. p. 142
  4. restricted access contents
  1. Common Experiences
  2. Randolph Lewis
  3. p. 143
  4. restricted access contents
  1. The Thorniest of Issues
  2. Laurent Ditmann
  3. pp. 144-145
  4. restricted access contents
  1. Special Editor's Introduction: World War II in Film and History
  2. Robert W. Matson
  3. pp. 1-3
  4. restricted access contents