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In this Issue

Table of Contents

  1. Oliver Stone Session at 1997 American Historical Association Meeting in New York City: A Pictorial Report
  2. Peter C. Rollins
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/flm.1996.a395951
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  1. Overview of Our Mega-Issue on the West
  2. Peter C. Rollins
  3. pp. 4-5
  4. DOI: https://doi.org/10.1353/flm.1996.a395952
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  1. John Ford's Vision of the Closing West: From Optimism to Cynicism
  2. Mike Yawn, Bob Beatty
  3. pp. 6-19
  4. DOI: https://doi.org/10.1353/flm.1996.a395953
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  1. Too Long in the Wasteland: Visions of the American West in Film, 1980-1990
  2. Douglas W. Reitinger
  3. pp. 20-29
  4. DOI: https://doi.org/10.1353/flm.1996.a395954
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  1. Representing Truth and History in Native American Documentary: Indigenous Efforts to Counter Mass Media Stereotypes
  2. Steven Leuthold
  3. pp. 30-39
  4. DOI: https://doi.org/10.1353/flm.1996.a395955
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  1. American Frontier Myth and the Flight of Apollo 13: From News Event to Feature Film
  2. Susan K. Opt
  3. pp. 40-51
  4. DOI: https://doi.org/10.1353/flm.1996.a395956
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  1. The American Jewish Immigrant Family in Film and History: The Historical Accuracy of Barry Levinson's Avalon
  2. Michael B. Kassel
  3. pp. 52-60
  4. DOI: https://doi.org/10.1353/flm.1996.a395957
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  1. Our Town in Cold War America: The George Burns and Gracie Allen Show (1950-1958)
  2. Eileen Eagan
  3. pp. 62-70
  4. DOI: https://doi.org/10.1353/flm.1996.a395958
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  1. From Celluloid to Silicon: A Practical Guide to Film Resources on the World Wide Web
  2. David Silver
  3. pp. 72-77
  4. DOI: https://doi.org/10.1353/flm.1996.a395959
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  1. Western Films: A Bibliography
  2. Steven Mintz
  3. pp. 78-80
  4. DOI: https://doi.org/10.1353/flm.1996.a395960
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  1. The Hollywood Feature Film as Historical Artifact
  2. Ron Briley
  3. pp. 82-84
  4. DOI: https://doi.org/10.1353/flm.1996.a395961
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  1. Make Time for Movies in Time
  2. Suzanne Broderick
  3. pp. 86-88
  4. DOI: https://doi.org/10.1353/flm.1996.a395962
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  1. Independence Day: A Survival Guide for the Next Invasion
  2. Ken Dvorak
  3. pp. 90-91
  4. DOI: https://doi.org/10.1353/flm.1996.a395963
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  1. Aliens 'R' Us: A Critique of D4
  2. John Dixon
  3. pp. 92-88
  4. DOI: https://doi.org/10.1353/flm.1996.a395964
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  1. Shtetl and Hotel Terminus: History and Memory of the Shoah
  2. Neal R. McCrillis
  3. pp. 94-95
  4. DOI: https://doi.org/10.1353/flm.1996.a395965
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  1. Unique Construction
  2. Victor Or
  3. p. 96
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  1. Linking Aviation and Cinema
  2. Uday Mohan
  3. pp. 97-99
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  1. Our Enduring Fascination
  2. Kent Ryden
  3. pp. 98-99
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  1. A Bundle of Contradictions
  2. Joseph Dorinson
  3. pp. 100-101
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  1. Lexington's Early Nickelodeons
  2. George Potamianos
  3. pp. 102-105
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  1. A Dense and Rich Forêt
  2. Laurent Ditmann
  3. pp. 104-105
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  1. Land of Oz
  2. Robert Fyne
  3. pp. 106-111
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  1. A Monumental Ego
  2. Michael D. Yates
  3. pp. 107-109
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  1. Multiple Storylines
  2. Victor Or
  3. pp. 108-109
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  1. Change Your Name
  2. Robert Fyne
  3. pp. 110-111
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  1. Hollywood's First Feminist
  2. Rick Donovan
  3. pp. 112-115
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  1. Dedicated to Keeping Mouths Shut
  2. J. David Slocum
  3. pp. 114-115
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  1. Menial Beginnings
  2. Dale Schmitt
  3. p. 116
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  1. Groundbreaking Work
  2. Dan Cabaniss
  3. p. 117
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  1. Mixed Media: Painting in Film
  2. Kevin O'Brien
  3. p. 118
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  1. Familiar Tunes
  2. Dorothea Newnam
  3. p. 119
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