1. Tales From the Cutting Room Floor
  2. Peter C. Rollins
  3. pp. 1-3
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  1. The Black Image in Film
  2. Peter C. Rollins
  3. pp. 4-5
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  1. The Green Pastures as an Allegory of Accommodation: Christ, Race, and the All-Black Musical
  2. Mark Winokur
  3. pp. 6-16
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  1. Reflections on A Soldier's Story: For Blacks, A War Within the War
  2. Jerome H. Long
  3. pp. 18-23
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  1. Liberators: Documentary and the Construction of Public History
  2. Pamela Calvert
  3. pp. 24-32
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  1. The Cinematic Treatment of Age, Ethnicity, Gender, Region, Religion, and Sexuality
  2. Steven Mintz
  3. pp. 34-39
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  1. Censorship, Film Noir, and Double Indemnity (1944)
  2. Sheri Chinen Biesen
  3. pp. 40-52
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  1. Andersonville Goes to Hollywood—Courtesy of Ted Turner
  2. David Rachels, Robert Baird
  3. pp. 54-57
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  1. Braveheart Wins Two Golden Statuettes (review)
  2. Robert Fyne
  3. pp. 58-76
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  1. Braveheart: A Distant Hero for a Post-Modernist Audience?
  2. Ken Dvorak
  3. p. 59
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  1. Restoration: Not Restored Enough? (review)
  2. Suzanne Broderick
  3. pp. 60-61
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  1. Japan After WWII: Kenji Mizojuchi on Changing Values
  2. Kevin O'Brien
  3. pp. 62-64
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  1. The O.J. Simpson Interview Videotape (review)
  2. Drew Philip Halevy
  3. pp. 65-66
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  1. Recent Books on History and Film: Some Reflections
  2. Steven Mintz
  3. pp. 68-69
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  1. Alfred Hitchcock: Immersed in Victorian Values?
  2. Robert Fyne
  3. p. 70
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  1. Frank Capra: Spokesman for the John Does of America?
  2. Michael D. Yates
  3. p. 71
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  1. The Brightest Light?
  2. Ron McGee
  3. pp. 72-76
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  1. Literature to Film: James T. Farrell in Book and Film
  2. Robert Fyne
  3. p. 73
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  1. Orson Welles: Destined for Destruction?
  2. Joseph Dorinson
  3. pp. 74-75
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