1. Dear Readers of Film & History...
  2. Peter C. Rollins
  3. pp. 1-3
  4. restricted access contents
  1. A Special Section: The History of Alternative Film Exhibition and the Social Construction of Taste
  2. Jim Lane
  3. pp. 4-5
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  1. Beginnings of the Film Society Movement in the U.S.
  2. Ben Davis
  3. pp. 6-26
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  1. Creating 'Reel' Value: The Establishment of The Museum of Modern Art Film Library, 1935-1939
  2. Peter Catapano
  3. pp. 28-46
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  1. Critical and Cultural Reception of the European Art Film in 1950s America: A Case Study of the Brattle Theatre (Cambridge, Massachusetts)
  2. Jim Lane
  3. pp. 51-64
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  1. Contacting the Other: Traces of Migrational Colonialism and the Imperial Agent in Werner Herzog's Fitzcarraldo
  2. John E. Davidson
  3. pp. 66-83
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  1. Violence, Feminism, and the Counterculture in Peter Fonda's The Hired Hand
  2. David Cochran
  3. pp. 84-98
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  1. The Iron Curtain: A Premature Anti-Communist Film
  2. John Rossi
  3. pp. 100-112
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  1. Books in Brief
  2. Robert Fyne
  3. pp. 113-115
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  1. Despite Its Artistry, PBS Installment Lacks the Full Story
  2. Leon Fink
  3. p. 116
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  1. The Hollywood Propaganda of World War II (review)
  2. Robert W. Matson
  3. p. 117
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  1. 'H-Film': Film History Enters Cyberspace
  2. Steven Mintz
  3. pp. 118-119
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